{"id":132,"date":"2008-05-16T08:11:00","date_gmt":"2008-05-16T12:11:00","guid":{"rendered":"http:\/\/clients.chrisvanpatten.com\/theatreaficionado.com\/2008\/05\/well-i-guess-theres-always-gotta-be-a-first.html"},"modified":"2010-10-29T04:51:30","modified_gmt":"2010-10-29T08:51:30","slug":"well-i-guess-theres-always-gotta-be-a-first","status":"publish","type":"post","link":"https:\/\/www.theatreaficionado.com\/?p=132","title":{"rendered":"Well, I guess there&#8217;s always gotta be a first&#8230;"},"content":{"rendered":"<p>I left a show at intermission. I&#8217;ve never done this before. And to be quite frank I&#8217;m not sure how I feel about it. Perhaps a touch guilty, because I&#8217;ve prided myself on never doing that (even when I&#8217;ve wanted to run screaming into the streets; ie &#8211; <em>Cats <\/em>and a lugubriously unfunny production of <em>Lucky Stiff <\/em>that my college put in its summer rep a few years ago). I guess it&#8217;s not really a big deal, but for some reason I like to stick it to the end, even when it&#8217;s not good just because, you become that &#8220;someone walked out of&#8230;&#8221; and mostly respect to the performers, who are almost all of the time giving 110% in spite of the staging or material.<\/p>\n<p>Well, I also happen to be an asthmatic, and as luck would have it, I suffered a rather terrible flare-up this afternoon while in Manhattan. Fortunately, I had my inhaler on me, or else this blog would be posted via medium (Madame Arcati, anyone?). The show was <em><a href=\"http:\/\/en.wikipedia.org\/wiki\/La_clemenza_di_Tito\">La Clemenza di Tito<\/a> <\/em>at the Met, starring the powerhouse mezzo-soprano extraordinaire, <a href=\"http:\/\/www.susangraham.com\/\">Susan Graham<\/a>. I was feeling fatigued, with the feeling someone was pushing on my chest, leading into the performance. When I stood up for intermission, that feeling was compounded with dizziness and I told Noah I had to go. I left, and aside from a precarious elevator ride down (where I felt like I was about to do my best Lucille 2 impression) I got home safe and sound, where I immediately medicated and am much, much better. That&#8217;s just one of the miseries of the allergy season for you, especially when pollen becomes your worst enemy.<\/p>\n<p>Of what I saw and could appreciate of the opera (which wasn&#8217;t much, I couldn&#8217;t follow the story or characters and I had difficulty with my supertitles), Susan was dynamite. The recitative got irritating (every time we&#8217;d switch between the orchestra and the harpsichord I wanted to throw something, but that could have been the way I was feeling). But she executed some rather thrilling mezzo coloratura runs; the kind that give chills, that&#8217;s how genius they are. However, I don&#8217;t feel I&#8217;ve given the score or Ms. Graham justice, really. Especially since I was supposed to meet her afterward. Anyway, I still feel weird about the whole evening, not sure why, but I do. I hope I get the chance to see Ms. Graham sing once again, and to be able to shout &#8220;Brava!&#8221; upon her curtain call.<\/p>\n<p>Oh, almost forgot. To add to the fun of it all, I also bashed my knee into a turnstile in the subway, all while juggling my wallet and phone in one hand, ipod and metrocard in the other and hip-checking my way through. Hilarious. You should see the gorgeous storm cloud that used to be my right knee.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I left a show at intermission. I&#8217;ve never done this before. And to be quite frank I&#8217;m not sure how I feel about it. Perhaps a touch guilty, because I&#8217;ve prided myself on never doing that (even when I&#8217;ve wanted to run screaming into the streets; ie &#8211; Cats and a lugubriously unfunny production of &hellip; <a href=\"https:\/\/www.theatreaficionado.com\/?p=132\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Well, I guess there&#8217;s always gotta be a first&#8230;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[1783,1782],"class_list":["post-132","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-la-clemenza-di-tito","tag-susan-graham"],"_links":{"self":[{"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=\/wp\/v2\/posts\/132","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=132"}],"version-history":[{"count":2,"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=\/wp\/v2\/posts\/132\/revisions"}],"predecessor-version":[{"id":2906,"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=\/wp\/v2\/posts\/132\/revisions\/2906"}],"wp:attachment":[{"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=132"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=132"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=132"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}