{"id":247,"date":"2008-08-31T12:21:00","date_gmt":"2008-08-31T16:21:00","guid":{"rendered":"http:\/\/clients.chrisvanpatten.com\/theatreaficionado.com\/2008\/08\/yes-records.html"},"modified":"2008-08-31T12:21:00","modified_gmt":"2008-08-31T16:21:00","slug":"yes-records","status":"publish","type":"post","link":"https:\/\/www.theatreaficionado.com\/?p=247","title":{"rendered":"Yes, records&#8230;"},"content":{"rendered":"<p>I like to browse. I like to rummage through things at most stores. You can put me in a supermarket or Home Depot and I&#8217;ll keep myself occupied for as long as necessary. But even moreso, I enjoy going through second hand stores, taking a look to see if I can find anything of interest.<\/p>\n<p>For most of my life I&#8217;ve managed to collect a considerable collection of books, films and music. I&#8217;ve take an especial interest in discovering show music, and before I got my first CD player it was mostly in the form of records. Growing up in my house, my parents were a little behind the times on the music technology &#8211; it took them to 1995 to get their first CD player. Yeah, seriously. In fact, my father only got a CD player in his car for the first time in 2005. But anyway, for lack of the CD player, we did have a very nice unit that played records, cassette tapes and, get this, 8-tracks (I&#8217;ve never owned one of those). In fact, my first cast album was the original London cast recording of <em>My Fair Lady, <\/em>in all its lavish Columbia gatefold beauty, which I found in a used book store run by the local public library. I think it cost a quarter, along with several other LPs I picked up.<\/p>\n<p>When I made the switch to CDs, I kept my LPs but didn&#8217;t give them as much play. It wasn&#8217;t until college that I started to get back into collecting cast recordings on LP. Looking to see what I could find in terms of releases and sleeves. It&#8217;s been a rather fun project, because going through a $.25 bin in a college town music store you&#8217;ll never what sort of surprises you&#8217;ll be in for. Add to that when I was living in New Paltz, NY (where I attended college), the two music stores would recognize when I came in and would advise me as to where I would find the most recent musical theatre records. (I think they were just grateful that someone was buying as much as I was).<\/p>\n<p>Anyway, I managed to find a lot of treasures, many times 10 for a $1.00, inclusive of <em>many <\/em>recordings, some of which aren&#8217;t available on CD, such as <em>Inner City, Illya Darling, Carousel <\/em>studio cast with Robert Merrill, Patrice Munsel &amp; Florence Henderson, and from the commonplace into the rare, a private label recording made of <em>The Yearling, <\/em>a disastrous 3 performance flop from 1965. So plain was it, there was no date, authors, labeling &#8211; nothing that would point it out that it was a show album.<\/p>\n<p>I write this today because this morning I got up and left the house at 7:00 to drive to Stormville, NY with some friends of mine. Every major summer holiday they have a weekend vendor market in which you walk through an airstrip filled with booths from antiques dealers, retailers, or people just trying to unload their junk. The first time I went to this was in 2003, when elderly neighbors of mine gave me $150 to unload their truck for them and then reload it. I had the rest of the day to wander throughout. In browsing I found the original cast albums of <em>The Unsinkable Molly Brown <\/em>and <em>High Spirits <\/em>(both featuring the sublime Tammy Grimes). I immediately picked them up and much to my delight, discovered that they each contained the show&#8217;s original souvenir program as well.<\/p>\n<p>I&#8217;ve been back several times since, voraciously poring through milk crate and box after milk crate and box just to see if there&#8217;s anything of use. The downside to this is that there are a lot of terrible things such as Rex Smith, The Bee Gees, countless &#8220;never heard of them&#8221; artists and such interesting things as &#8220;Do the Strip Tease&#8221; novelties. But it&#8217;s usually worth it. Last time I got a few show albums, <em>Barbara Cook at Carnegie Hall<\/em>, <em>It&#8217;s Better with a Band<\/em>, <em>The Anna Russell Album?<\/em> and <em>The Bob Newhart Button Down Album<\/em>, to name a few. While today wasn&#8217;t as successful as usual, I happened upon a mint condition LP of the original Broadway cast of <em>1776 <\/em>for a $1. It may have been the only thing I bought (my hopes to discover LPs of <em>On the Twentieth Century, A Time for Singing, Donnybrook! <\/em>and <em>Darling of the Day <\/em>weren&#8217;t assuaged, but on the other hand they haven&#8217;t dashed either. (I know I can always check ebay, but part of the fun is finding them at such incredibly low prices).<\/p>\n<p>While I know I&#8217;m going to sound a lot older than my 25 years, I can&#8217;t help but think about how much is lost in the music experience with downloadable mp3s. Sure, it&#8217;s the easiest thing to go to i-tunes and enter a search query and have it on your computer right then and there, but there&#8217;s none of the gratified satisfaction that comes from the effort put in looking for something. It&#8217;s for that reason I hope that while music stores may become about as hip as the Automat, they will never fully disappear. If you&#8217;re willing to look, you never know what surprises you may find.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I like to browse. I like to rummage through things at most stores. You can put me in a supermarket or Home Depot and I&#8217;ll keep myself occupied for as long as necessary. But even moreso, I enjoy going through second hand stores, taking a look to see if I can find anything of interest. &hellip; <a href=\"https:\/\/www.theatreaficionado.com\/?p=247\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Yes, records&#8230;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[1924,1926,1925],"class_list":["post-247","post","type-post","status-publish","format-standard","hentry","tag-1924","tag-cast-recordings","tag-lp"],"_links":{"self":[{"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=\/wp\/v2\/posts\/247","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=247"}],"version-history":[{"count":1,"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=\/wp\/v2\/posts\/247\/revisions"}],"predecessor-version":[{"id":4299,"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=\/wp\/v2\/posts\/247\/revisions\/4299"}],"wp:attachment":[{"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=247"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=247"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=247"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}