{"id":268,"date":"2008-09-25T09:29:00","date_gmt":"2008-09-25T13:29:00","guid":{"rendered":"http:\/\/clients.chrisvanpatten.com\/theatreaficionado.com\/2008\/09\/the-ring-of-the-nibelungs-an-analysis.html"},"modified":"2014-02-13T19:47:39","modified_gmt":"2014-02-14T00:47:39","slug":"the-ring-of-the-nibelungs-an-analysis","status":"publish","type":"post","link":"https:\/\/www.theatreaficionado.com\/?p=268","title":{"rendered":"The Ring of the Nibelung, An Analysis"},"content":{"rendered":"<p>Some months ago, I <a href=\"http:\/\/theatreaficionado.blogspot.com\/2008\/04\/im-not-making-this-up-you-know.html\">posted<\/a> about the great Anna Russell. Here is a presentation of her legendary &#8220;The Ring of the Nibelung, An Analysis&#8221; videotaped during one of her farewell tours. Hilarity ensues.<\/p>\n<p>%CODE1%<\/p>\n<p>%CODE2%<\/p>\n<p>%CODE3%<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Some months ago, I posted about the great Anna Russell. Here is a presentation of her legendary &#8220;The Ring of the Nibelung, An Analysis&#8221; videotaped during one of her farewell tours. Hilarity ensues. %CODE1% %CODE2% %CODE3%<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[1720,2462,1302],"class_list":["post-268","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-anna-russell","tag-opera","tag-wagner"],"_links":{"self":[{"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=\/wp\/v2\/posts\/268","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=268"}],"version-history":[{"count":4,"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=\/wp\/v2\/posts\/268\/revisions"}],"predecessor-version":[{"id":4599,"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=\/wp\/v2\/posts\/268\/revisions\/4599"}],"wp:attachment":[{"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=268"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=268"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=268"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}