{"id":289,"date":"2008-10-22T02:27:00","date_gmt":"2008-10-22T06:27:00","guid":{"rendered":"http:\/\/clients.chrisvanpatten.com\/theatreaficionado.com\/2008\/10\/quote-of-the-day-18.html"},"modified":"2008-10-22T02:27:00","modified_gmt":"2008-10-22T06:27:00","slug":"quote-of-the-day-18","status":"publish","type":"post","link":"https:\/\/www.theatreaficionado.com\/?p=289","title":{"rendered":"Quote of the Day"},"content":{"rendered":"<p>&#8220;Since Fritz retired, I have written three musicals for the theatre, <em>On a Clear Day You Can See Forever <\/em>with Burton Lane, <em>Coco <\/em>with Andre Previn, <em>1600 Pennsylvania Avenue <\/em>with Leonard Bernstein, and reversing the normal order, adapted <em>Gigi <\/em>for the stage. <em>On a Clear Day <\/em>was modestly received, <em>Coco <\/em>less modestly, but because of the incredible Katharine Hepburn did well. <em>Gigi,<\/em> comme ci comme \u00e7a. <em>1600 Pennsylvania Avenue, <\/em>well you remember the Titanic&#8230;&#8221;<\/p>\n<p>&#8211; Alan Jay Lerner&#8217;s sole mention of <em>1600 Pennsylvania Avenue <\/em>in his memoir <em>The Street Where I Live<\/em>, 1978<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;Since Fritz retired, I have written three musicals for the theatre, On a Clear Day You Can See Forever with Burton Lane, Coco with Andre Previn, 1600 Pennsylvania Avenue with Leonard Bernstein, and reversing the normal order, adapted Gigi for the stage. On a Clear Day was modestly received, Coco less modestly, but because of &hellip; <a href=\"https:\/\/www.theatreaficionado.com\/?p=289\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Quote of the Day<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[1614,1701],"class_list":["post-289","post","type-post","status-publish","format-standard","hentry","tag-1600-pennsylvania-avenue","tag-alan-jay-lerner"],"_links":{"self":[{"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=\/wp\/v2\/posts\/289","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=289"}],"version-history":[{"count":0,"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=\/wp\/v2\/posts\/289\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=289"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=289"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=289"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}