{"id":322,"date":"2008-11-30T20:06:00","date_gmt":"2008-12-01T00:06:00","guid":{"rendered":"http:\/\/clients.chrisvanpatten.com\/theatreaficionado.com\/2008\/11\/quote-of-the-day-august-in-london.html"},"modified":"2008-11-30T20:06:00","modified_gmt":"2008-12-01T00:06:00","slug":"quote-of-the-day-august-in-london","status":"publish","type":"post","link":"https:\/\/www.theatreaficionado.com\/?p=322","title":{"rendered":"Quote of the Day: August in London"},"content":{"rendered":"<p>&#8220;Vulnerable, angry and thoroughly transfixing, [Amy] Morton has forged one of the great theatrical performances of the modern era. Like the rest of this remarkable show, it stares out from the stage with surety and terror.&#8221;<\/p>\n<p>&#8211; <a href=\"http:\/\/leisureblogs.chicagotribune.com\/the_theater_loop\/2008\/11\/steppenwolfs-au.html\">Chris Jones<\/a>, in his review of the London transfer of <em>August: Osage County<\/em> in the Chicago Tribune&#8217;s Theatre Loop<\/p>\n<p>&#8220;You know you\u2019re in for a lively evening when a play about a family reunion includes a fight director among the team. And how satisfying that he\u2019s called Chuck, too.&#8221;<\/p>\n<p>&#8211; <a href=\"http:\/\/entertainment.timesonline.co.uk\/tol\/arts_and_entertainment\/stage\/theatre\/article5239884.ece\">Christopher Hart<\/a> in the Sunday Times<\/p>\n<p>&#8220;Maybe Letts invites comparisons, a tad too obviously, with other canonical greats: Eugene O&#8217;Neill, Tennessee Williams, Edward Albee. But what&#8217;s really joyous is his emergent Chekhovian talent for weaving a broad tapestry, depicting a whole extended household. He combines that with pin-sharp detailing which rings painfully true. Amy Morton&#8217;s Barbara is unforgettable, howling with grief, then distractedly brushing her hair.&#8221;<\/p>\n<p>&#8211; <a href=\"http:\/\/www.independent.co.uk\/arts-entertainment\/theatre-dance\/reviews\/august-osage-county-nt-lyttelton-londonbrwig-out-royal-court-downstairs-londonbrtombstone-tales-and-boothill-ballads-arcola-london-1041116.html\">Kate Bassett<\/a> in the Independent<\/p>\n<p>&#8220;Watching manipulative, mischievous Dunagan, or bruised, angry Morton or brassy Rondi Reed or any of Anna Shapiro\u2019s terrific ensemble, you ruefully ask an obvious question. Could a British cast bring such commitment and conviction to this subversive take on Oklahoma!? Surely not.&#8221;<\/p>\n<p>&#8211; <a href=\"http:\/\/entertainment.timesonline.co.uk\/tol\/arts_and_entertainment\/stage\/theatre\/article5240405.ece\">Benedict Nightingale<\/a> in the Times<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;Vulnerable, angry and thoroughly transfixing, [Amy] Morton has forged one of the great theatrical performances of the modern era. Like the rest of this remarkable show, it stares out from the stage with surety and terror.&#8221; &#8211; Chris Jones, in his review of the London transfer of August: Osage County in the Chicago Tribune&#8217;s Theatre &hellip; <a href=\"https:\/\/www.theatreaficionado.com\/?p=322\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Quote of the Day: August in London<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[1824,1593,1691],"class_list":["post-322","post","type-post","status-publish","format-standard","hentry","tag-amy-morton","tag-august-osage-county","tag-quote-of-the-day"],"_links":{"self":[{"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=\/wp\/v2\/posts\/322","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=322"}],"version-history":[{"count":0,"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=\/wp\/v2\/posts\/322\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=322"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=322"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=322"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}