{"id":42,"date":"2008-02-03T12:52:00","date_gmt":"2008-02-03T16:52:00","guid":{"rendered":"http:\/\/clients.chrisvanpatten.com\/theatreaficionado.com\/2008\/02\/an-all-that-chat-survey.html"},"modified":"2010-10-25T00:46:06","modified_gmt":"2010-10-25T04:46:06","slug":"an-all-that-chat-survey","status":"publish","type":"post","link":"https:\/\/www.theatreaficionado.com\/?p=42","title":{"rendered":"An &#8216;All That Chat&#8217; survey&#8230;"},"content":{"rendered":"<p>The Giants have won the Super Bowl!!!!!! That was one hell of a game, I gotta say. I got so into it, my blood pressure skyrocketed and I went buck wild after that last touchdown. Think Mary Louise Wilson&#8217;s acceptance speech times ten. And with more explicitly jubilant language.<\/p>\n<p>Anyway&#8230; this was a 20 question survey posted on <a href=\"http:\/\/www.talkinbroadway.com\/allthatchat\">All That Chat<\/a> for those who wouldn&#8217;t be watching the game tonight. Well, since I missed the boat as I was glued to the game, I thought I&#8217;d fill it in here and now&#8230;.<\/p>\n<p>1. The first musical I ever saw on Broadway was <em>Miss Saig0n <\/em>(March, 15, 2000)<br \/>\n2. The musical I would most like to see would be the original production of any of my favorites: this includes <em>Company, Follies, A Little Night Music, Mame, Pacific Overtures, 1600 Pennsylvania Avenue, She Loves Me, High Spirits, Kismet, Kiss Me Kate, South Pacific, et al, et al, et al.<\/em><br \/>\n3. The musical I would most like to see again is <em>The Light in the Piazza <\/em>and\/or <em>Grey Gardens.<\/em><br \/>\n4. The musical I never want to see again is <em>Cats.<\/em><br \/>\n5. The best performance in a Broadway musical by a woman I\u2019ve ever seen is Victoria Clark in <em>The Light in the Piazza <\/em>(honorable mentions to Christine Ebersole, Patti LuPone, Audra McDonald &amp; Bernadette Peters).<br \/>\n6. The best performance in a Broadway musical by a man I\u2019ve ever seen is Hugh Jackman in <em>The Boy From Oz <\/em>(what a star turn; what a shit show) and <em>Carousel<\/em> (wowowow, what a night). Honorable mention to David Hyde Pierce, who made <em>Spamalot <\/em>more enjoyable than it should have been.<br \/>\n7. The person I wish they never cast was Christine Baranski in <em>Follies.<\/em><br \/>\nThe person they should have cast was Angela Lansbury (yes I know she&#8217;s a bit old for the part, who cares?) or Patti LuPone or someone who could sing it on pitch at least.<br \/>\n8. My favorite Broadway choreography was in the show <em>La Cage Aux Folles<\/em><br \/>\n9. The lyric\/line that always brings a lump to my throat is &#8211; many of Sondheim&#8217;s great works &#8220;Children and Art,&#8221; &#8220;Finishing the Hat,&#8221; &#8220;Sunday,&#8221; &#8220;Move On,&#8221; &#8220;Send in the Clowns,&#8221; &#8220;Liaisons,&#8221; &#8220;Another Hundred People,&#8221; Not a Day Goes By&#8221; (I&#8217;ve just decided that I&#8217;m going to dedicate an entire post to my favorite Stephen Sondheim lyrics), some of Hammerstein&#8217;s, some of Guettel&#8217;s even, though I know people look down on him as a lyricist&#8230;. too many indeed&#8230;<br \/>\n10. The stupidest lyric\/line I\u2019ve ever heard is &#8220;I&#8217;m a priest and I cannot love her&#8221; &#8211; that&#8217;s the hook &#8211; the cleverly titled &#8220;I&#8217;m a Priest&#8221; from <em>Notre Dame de Paris<\/em>. There are others, but this one always stands out in my mind as it was just so god-awful.<br \/>\n11. The first musical I had to go back and see twice was <em>The Light in the Piazza <\/em>(I started my own trend).<br \/>\n12. The first musical I ever walked out of was &#8211;<em> <\/em>I have never walked out of a show.<br \/>\n13. The most under praised and overly deserving show in my opinion is; well it was technically a play with a lot of music, but it fits: <em>Coram Boy<\/em>.<br \/>\n14. The most overly praised and under deserving show in my opinion is, even though I enjoyed it, <em>Spring Awakening.<\/em><br \/>\n15. The song show tune I\u2019m most likely to sing while I\u2019m dancing around at home is&#8221;Not on Your Nellie&#8221; <em>Darling of the Day <\/em>or<em> <\/em>&#8220;A Little Priest&#8221; (both parts)<em>Sweeney Todd <\/em>or whatever catches my ear at the moment.<br \/>\n16. If I could recast any role in a current Broadway musical with a performer of the past it would be Barbara Cook fifty years ago as Clara or thirty years ago as Margaret in <em>The Light in the Piazza. <\/em>Patricia Routledge in a London <em>Piazza. <\/em>Kaye Ballard, Susan Johnson or Dolores Gray as Carmen in <em>Curtains<\/em>.<br \/>\n17. If I could recast current actor in a Broadway musical that was before their time it would be Victoria Clark in <em>Darling of the Day <\/em>and <em>Street Scene, <\/em>Donna Murphy in <em>Lady in the Dark. <\/em>Audra McDonald in<br \/>\n18. The show they should never change a word of because it is already perfect is <em>She Loves Me.<\/em><br \/>\n19. The show I&#8217;d most like to get my hands on and rewrite is <em>1600 Pennsylvania Avenue.<\/em><br \/>\n20. The role I was born to play on Broadway is Georg in <em>She Loves Me <\/em>(I feel like he&#8217;s my musical alter ego)<em> <\/em>. Not realistically, probably Alice Challice in <em>Darling of the Day <\/em>(those songs sit right in my comfort zone, isn&#8217;t that sad?).<\/p>\n<p>I would love to see what your answers would be&#8230;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Giants have won the Super Bowl!!!!!! That was one hell of a game, I gotta say. I got so into it, my blood pressure skyrocketed and I went buck wild after that last touchdown. Think Mary Louise Wilson&#8217;s acceptance speech times ten. And with more explicitly jubilant language. Anyway&#8230; this was a 20 question &hellip; <a href=\"https:\/\/www.theatreaficionado.com\/?p=42\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">An &#8216;All That Chat&#8217; survey&#8230;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-42","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=\/wp\/v2\/posts\/42","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=42"}],"version-history":[{"count":4,"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=\/wp\/v2\/posts\/42\/revisions"}],"predecessor-version":[{"id":2744,"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=\/wp\/v2\/posts\/42\/revisions\/2744"}],"wp:attachment":[{"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=42"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=42"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=42"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}