{"id":458,"date":"2009-04-20T13:42:00","date_gmt":"2009-04-20T17:42:00","guid":{"rendered":"http:\/\/clients.chrisvanpatten.com\/theatreaficionado.com\/2009\/04\/outer-critics-circle-nominations.html"},"modified":"2009-04-20T13:42:00","modified_gmt":"2009-04-20T17:42:00","slug":"outer-critics-circle-nominations","status":"publish","type":"post","link":"https:\/\/www.theatreaficionado.com\/?p=458","title":{"rendered":"Outer Critics Circle Nominations"},"content":{"rendered":"<p>Today is a big day for theatre awards: the Outer Critics Circle nominations have been announced and later this afternoon, the Puliter Prize for Drama will be announced.<\/p>\n<p>Outstanding New Broadway Play<br \/><em>God of Carnage<br \/>Irena&#8217;s Vow<br \/>reasons to be pretty<br \/>33 Variations<\/em><\/p>\n<p>Outstanding New Broadway Musical<br \/><em>Billy Elliot: The Musical<br \/>Rock of Ages<br \/>Shrek the Musical<br \/>A Tale of Two Cities<br \/><\/em><br \/>Outstanding New Off-Broadway Play<br \/><em>Becky Shaw<br \/>Farragut North<br \/>Ruined<br \/>Shipwrecked! The Amazing Adventures of Louis de Rougemont (As Told By Himself)<br \/>Why Torture Is Wrong, and the People Who Love Them<br \/><\/em><br \/>Outstanding New Off-Broadway Musical<br \/><em>Happiness<br \/>Rooms: A Rock Romance<br \/>The Toxic Avenger<br \/>What&#8217;s That Smell? The Music of Jacob Sterling<br \/><\/em><br \/>Outstanding New Score (Broadway or Off-Broadway)<br \/><em>Billy Elliot: The Musical<br \/>Happiness<br \/>Rooms: A Rock Romance<br \/>Shrek The Musical<br \/><\/em><br \/>Outstanding Revival of a Play (Broadway or Off-Broadway)<br \/><em>Blithe Spirit<br \/>The Cripple of Inishmaan<br \/>Joe Turner&#8217;s Come and Gone<br \/>The Norman Conquests<br \/>Waiting for Godot<br \/><\/em><br \/>Outstanding Revival of a Musical (Broadway or Off-Broadway)<br \/><em>Enter Laughing<br \/>Hair<br \/>Pal Joey<br \/>West Side Story<br \/><\/em><br \/>Outstanding Director of a Play<br \/>Garry Hynes, <em>The Cripple of Inishmaan<\/em><br \/>Anthony Page, <em>Waiting for Godot <\/em><br \/>Bartlett Sher, <em>Joe Turner&#8217;s Come and Gone<\/em><br \/>Matthew Warchus, <em>The Norman Conquests<\/em><br \/>Moises Kaufman, <em>33 Variations<\/em><\/p>\n<p>Outstanding Director of a Musical<br \/>Stephen Daldry, <em>Billy Elliot the Musical<\/em><br \/>Arthur Laurents, <em>West Side Story<\/em><br \/>Jason Moore, <em>Shrek the Musical<\/em><br \/>Diane Paulus, <em>Hair<\/em><br \/>Susan Stroman, <em>Happiness<\/em><\/p>\n<p>Outstanding Choreographer<br \/>Karole Armitage, <em>Hair<\/em><br \/>Andy Blankenbuehler, <em>9 to 5<\/em><br \/>Peter Darling, <em>Billy Elliot the Musical<\/em><br \/>Josh Prince, <em>Shrek the Musical<\/em><br \/>Susan Stroman, <em>Happiness<\/em><\/p>\n<p>Outstanding Set Design (Play or Musical)<br \/>Tim Hatley, <em>Shrek the Musical<\/em><br \/>Santo Loquasto, <em>Waiting for Godot<\/em><br \/>Derek McLane, <em>33 Variations<\/em><br \/>Ian MacNeil, <em>Billy Elliot the Musical<\/em><br \/>Walt Spangler, <em>Desire Under the Elms <\/em><\/p>\n<p>Outstanding Costume Design (Play or Musical)<br \/>Nicky Gillibrand, <em>Billy Elliot the Musical<\/em><br \/>Tim Hatley, <em>Shrek the Musical<\/em><br \/>John Napier, <em>Equus<\/em><br \/>Martin Pakledinaz, <em>Blithe Spirit<\/em><br \/>Catherine Zuber, <em>Joe Turner&#8217;s Come and Gone<\/em><\/p>\n<p>Outstanding Lighting Design (Play or Musical)<br \/>Kevin Adams, <em>Hair<\/em><br \/>Rick Fisher, <em>Billy Elliot the Musical<\/em><br \/>David Hersey, <em>Equus<\/em><br \/>Peter Kaczorowski, <em>Ruined<\/em><br \/>David Lander, <em>33 Variations<\/em><\/p>\n<p>Outstanding Actor in a Play<br \/>Ra\u00fal Esparza, <em>Speed-the-Plow<\/em><br \/>Bill Irwin, <em>Waiting for Godot<\/em><br \/>Nathan Lane, <em>Waiting for Godot<\/em><br \/>Geoffrey Rush, <em>Exit the King<\/em><br \/>Thomas Sadoski, <em>reasons to be pretty<\/em><\/p>\n<p>Outstanding Actress in a Play<br \/>Saidah Arrika Ekulona, <em>Ruined<\/em><br \/>Carla Gugino, <em>Desire Under the Elms<\/em><br \/>Marcia Gay Harden, <em>God of Carnage<\/em><br \/>Janet McTeer, <em>Mary Stuart<\/em><br \/>Harriet Walter, <em>Mary Stuart <\/em><\/p>\n<p>Outstanding Actor in a Musical<br \/>James Barbour, <em>A Tale of Two Cities<\/em><br \/>Matt Cavenaugh, <em>West Side Story<\/em><br \/>Brian d&#8217;Arcy James, <em>Shrek the Musical<\/em><br \/>Josh Grisetti, <em>Enter Laughing<\/em><br \/>David Pittu, <em>What&#8217;s That Smell? The Music of Jacob Sterling<\/em><\/p>\n<p>Outstanding Actress in a Musical<br \/>Sutton Foster, <em>Shrek the Musical<\/em><br \/>Megan Hilty, <em>9 to 5<\/em><br \/>Leslie Kritzer, <em>Rooms A Rock Romance <\/em><br \/>Nancy Opel, <em>The Toxic Avenger<\/em><br \/>Josefina Scaglione, <em>West Side Story<\/em><\/p>\n<p>Outstanding Featured Actor in a Play<br \/>Zach Grenier, <em>33 Variations <\/em><br \/>John Benjamin Hickey, <em>Mary Stuart <\/em><br \/>Russell G. Jones, <em>Ruined<\/em><br \/>Patrick Page, <em>A Man for All Seasons<br \/><\/em>David Pearse, <em>The Cripple of Inishmaan<\/em><\/p>\n<p>Outstanding Featured Actress in a Play<br \/>Angela Lansbury, <em>Blithe Spirit<\/em><br \/>Andrea Martin,<em> Exit the King<\/em><br \/>Kristine Nielsen, <em>Why Torture is Wrong, and the People Who Love Them<\/em><br \/>Susan Louise O&#8217;Connor, <em>Blithe Spirit<\/em><br \/>Condola Rashad, <em>Ruined<\/em><\/p>\n<p>Outstanding Featured Actor in a Musical<br \/>Daniel Breaker, <em>Shrek the Musical<\/em><br \/>Aaron Simon Gross, <em>13<\/em><br \/>Gregory Jbara, <em>Billy Elliot the Musical<\/em><br \/>Christopher Sieber, <em>Shrek the Musical <\/em><br \/>Wesley Taylor, <em>Rock of Ages<\/em><\/p>\n<p>Outstanding Featured Actress in a Musical<br \/>Kathy Fitzgerald, <em>9 to 5<\/em><br \/>Haydn Gwynne, <em>Billy Elliot the Musical <\/em><br \/>Karen Olivo, <em>West Side Story<\/em><br \/>Martha Plimpton, <em>Pal Joey<\/em><br \/>Carole Shelley, <em>Billy Elliot the Musical <\/em><\/p>\n<p>Outstanding Solo Performance<br \/>Mike Birbiglia, <em>Sleepwalk With Me<\/em><br \/>Mike Burstyn, <em>Lansky <\/em><br \/>Mike Daisey, <em>If You See Something, Say Something<\/em><br \/>Lorenzo Pisoni, <em>Humor Abuse<\/em><br \/>Matt Sax, <em>Clay<\/em><\/p>\n<p>Outstanding Ensemble Performance<br \/>The cast of <em>The Norman Conquests<\/em>: Amelia Bullmore, Jessica Hynes, Stephen Mangan, Ben Miles, Paul Ritter, Amanda Root<\/p>\n<p>John Gassner Award (Presented for an American Play, Preferably by a New Playwright)<br \/>Annie Baker, <em>Body Awareness <\/em><br \/>Gina Gionfriddo, <em>Becky Shaw<br \/><\/em>Beau Willimon, <em>Farragut North<\/em><\/p>\n<p>Special Achievement Award<br \/>For their performances in <em>Billy Elliot the Musical<\/em>: David Alvarez, Trent Kowalik, Kiril Kulish<\/p>\n<p>Also: <em>Dividing the Estate, next to normal <\/em>and <em>[title of show] <\/em>were previously eligible for the Outer Critics Circle awards when their shows were first presented in their off-Broadway berth. They will, however, turn up come Tony time.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Today is a big day for theatre awards: the Outer Critics Circle nominations have been announced and later this afternoon, the Puliter Prize for Drama will be announced. Outstanding New Broadway PlayGod of CarnageIrena&#8217;s Vowreasons to be pretty33 Variations Outstanding New Broadway MusicalBilly Elliot: The MusicalRock of AgesShrek the MusicalA Tale of Two CitiesOutstanding New &hellip; <a href=\"https:\/\/www.theatreaficionado.com\/?p=458\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Outer Critics Circle Nominations<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[2148,2147],"class_list":["post-458","post","type-post","status-publish","format-standard","hentry","tag-awards-season","tag-outer-critics-circle"],"_links":{"self":[{"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=\/wp\/v2\/posts\/458","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=458"}],"version-history":[{"count":0,"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=\/wp\/v2\/posts\/458\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=458"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=458"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=458"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}