{"id":462,"date":"2009-04-22T23:15:00","date_gmt":"2009-04-23T03:15:00","guid":{"rendered":"http:\/\/clients.chrisvanpatten.com\/theatreaficionado.com\/2009\/04\/amy-morton-amy-morton-amy-morton.html"},"modified":"2009-04-22T23:15:00","modified_gmt":"2009-04-23T03:15:00","slug":"amy-morton-amy-morton-amy-morton","status":"publish","type":"post","link":"https:\/\/www.theatreaficionado.com\/?p=462","title":{"rendered":"Amy Morton, Amy Morton, Amy Morton"},"content":{"rendered":"<p>Amy Morton, the Tony-nominated powerhouse who gave what I think was the greatest performance of any I saw last season, <a href=\"http:\/\/www.playbill.com\/news\/article\/128537.html\">returns<\/a> to the Broadway company of <em>August: Osage County <\/em>on May 26.  Phylicia Rashad will be donning the teal pajamas of Violet Weston on that same day. Morton left the NY production in October 12, taking a well-deserved rest before shipping off to London for the National Theatre production that opened in November.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Amy Morton, the Tony-nominated powerhouse who gave what I think was the greatest performance of any I saw last season, returns to the Broadway company of August: Osage County on May 26. Phylicia Rashad will be donning the teal pajamas of Violet Weston on that same day. Morton left the NY production in October 12, &hellip; <a href=\"https:\/\/www.theatreaficionado.com\/?p=462\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Amy Morton, Amy Morton, Amy Morton<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[1824,1593],"class_list":["post-462","post","type-post","status-publish","format-standard","hentry","tag-amy-morton","tag-august-osage-county"],"_links":{"self":[{"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=\/wp\/v2\/posts\/462","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=462"}],"version-history":[{"count":0,"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=\/wp\/v2\/posts\/462\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=462"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=462"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=462"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}