{"id":474,"date":"2009-04-28T04:10:00","date_gmt":"2009-04-28T08:10:00","guid":{"rendered":"http:\/\/clients.chrisvanpatten.com\/theatreaficionado.com\/2009\/04\/doris-eaton-travis-still-hoofing-at-105.html"},"modified":"2009-04-28T04:10:00","modified_gmt":"2009-04-28T08:10:00","slug":"doris-eaton-travis-still-hoofing-at-105","status":"publish","type":"post","link":"https:\/\/www.theatreaficionado.com\/?p=474","title":{"rendered":"Doris Eaton Travis Still Hoofing at 105"},"content":{"rendered":"<p>The last living performer from the original <em>Ziegfeld Follies<\/em>, 105 year old Doris Eaton Travis has become a perennial fixture at the BC\/EFA Easter Bonnet competition where she offers a brief tap routine that is one of the highlights of the annual event. Travis, in remarkable health and high spirits, was <a href=\"http:\/\/www.nytimes.com\/2009\/04\/27\/arts\/dance\/27follies.html?_r=1\">profiled<\/a> in Sunday&#8217;s New York Times by Ralph Blumenthal.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The last living performer from the original Ziegfeld Follies, 105 year old Doris Eaton Travis has become a perennial fixture at the BC\/EFA Easter Bonnet competition where she offers a brief tap routine that is one of the highlights of the annual event. Travis, in remarkable health and high spirits, was profiled in Sunday&#8217;s New &hellip; <a href=\"https:\/\/www.theatreaficionado.com\/?p=474\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Doris Eaton Travis Still Hoofing at 105<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[2164,2165],"class_list":["post-474","post","type-post","status-publish","format-standard","hentry","tag-doris-eaton-travis","tag-ziegfeld-follies"],"_links":{"self":[{"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=\/wp\/v2\/posts\/474","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=474"}],"version-history":[{"count":0,"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=\/wp\/v2\/posts\/474\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=474"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=474"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=474"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}