{"id":479,"date":"2009-05-01T13:28:00","date_gmt":"2009-05-01T17:28:00","guid":{"rendered":"http:\/\/clients.chrisvanpatten.com\/theatreaficionado.com\/2009\/05\/the-final-tony-eligibility-rulings.html"},"modified":"2009-05-01T13:28:00","modified_gmt":"2009-05-01T17:28:00","slug":"the-final-tony-eligibility-rulings","status":"publish","type":"post","link":"https:\/\/www.theatreaficionado.com\/?p=479","title":{"rendered":"The Final Tony Eligibility Rulings"},"content":{"rendered":"<p>With the 2008-2009 season officially over, the Tony Awards Administration Committee met today for their final deliberation over the eligibility of a whopping 17 productions for the 2009 Tony Awards. Here&#8217;s what was decided:<\/p>\n<p>Matt Cavenaugh and Josefina Scaglione will be considered eligible in their respective Best Performance by a Leading Actor\/Actress in a Musical categories for their performances in <em>West Side Story.<\/em><br \/><em><u><\/u><\/em><br \/>Gavin Creel will be considered eligible in the Best Performance by a Leading Actor in a Musical category for his performance in <em>Hair<\/em>.<\/p>\n<p>Constantine Maroulis and Amy Spanger will be considered eligible in their respective Best Performance by a Leading Actor\/Actress in a Musical categories for their performances in <em>Rock of Ages<\/em>.<\/p>\n<p>Allison Janney, Stephanie J. Block and Megan Hilty will be considered eligible in the Best Performance by a Leading Actress in a Musical category for their performance in <em>9 to 5: The Musical<\/em>.<\/p>\n<p>Bruce Coughlin, Stephen Oremus and Alex Lacamoire will be considered jointly eligible in the category of Best Orchestrations for <em>9 to 5: The Musical<\/em>.<\/p>\n<p>Thomas Sadoski will be considered eligible in the Best Performance by a Leading Actor in a Play category for his performance in <em>reasons to be pretty<\/em>.<\/p>\n<p>The three parts that make up <em>The Norman Conquests<\/em> will be eligible as a single play in the Best Revival of a Play category.<\/p>\n<p>Brian Dennehy will be considered eligible in the Best Performance by a Featured Actor in a Play category for his performance in <em>Desire Under the Elms<\/em>.<\/p>\n<p>Jonathan Cake and Steven Weber will be considered eligible in the Best Performance by a Featured Actor in a Play category for their performances in <em>The Philanthropist<\/em>.<\/p>\n<p>David Hyde Pierce will be considered eligible in the Best Performance by a Leading Actor in a Play category for his performance in <em>Accent on Youth<\/em>.<\/p>\n<p>John Goodman and John Glover will be considered eligible in the Best Performance by a Featured Actor in a Play category for their performances in <em>Waiting for Godot<\/em>.<\/p>\n<p>Everything else has either been previously decided or is concurrent with the opening night credits. The nominations will be announced Monday morning by Cynthia Nixon and Lin-Manuel Miranda at the New York Public Library for the Performing Arts.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>With the 2008-2009 season officially over, the Tony Awards Administration Committee met today for their final deliberation over the eligibility of a whopping 17 productions for the 2009 Tony Awards. Here&#8217;s what was decided: Matt Cavenaugh and Josefina Scaglione will be considered eligible in their respective Best Performance by a Leading Actor\/Actress in a Musical &hellip; <a href=\"https:\/\/www.theatreaficionado.com\/?p=479\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">The Final Tony Eligibility Rulings<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[1766],"class_list":["post-479","post","type-post","status-publish","format-standard","hentry","tag-tony-awards"],"_links":{"self":[{"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=\/wp\/v2\/posts\/479","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=479"}],"version-history":[{"count":0,"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=\/wp\/v2\/posts\/479\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=479"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=479"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=479"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}