{"id":486,"date":"2009-05-05T10:01:00","date_gmt":"2009-05-05T14:01:00","guid":{"rendered":"http:\/\/clients.chrisvanpatten.com\/theatreaficionado.com\/2009\/05\/and-theyre-off-2.html"},"modified":"2009-05-05T10:01:00","modified_gmt":"2009-05-05T14:01:00","slug":"and-theyre-off-2","status":"publish","type":"post","link":"https:\/\/www.theatreaficionado.com\/?p=486","title":{"rendered":"And they&#8217;re off&#8230;"},"content":{"rendered":"<p>The 2009 Tony Award Nominations:<\/p>\n<p>Best Play<\/p>\n<p><span style=\"font-style: italic;\"> Dividing the Estate<\/span><br \/>Author: Horton Foote<br \/>Producers: Lincoln Center Theater, Bernard Gersten, Andr\u00e9 Bishop, Primary Stages<\/p>\n<p><span style=\"font-style: italic;\"> God of Carnage<\/span><br \/>Author: Yasmina Reza<br \/>Producers: Robert Fox, David Pugh &amp; Dafydd Rogers, Stuart Thompson, Scott Rudin, Jon B. Platt, The Weinstein Company, The Shubert Organization<\/p>\n<p><span style=\"font-style: italic;\"> Reasons to Be Pretty<\/span><br \/>Author: Neil LaBute<br \/>Producers: Jeffrey Richards, Jerry Frankel, MCC Theater, Gary Goddard Entertainment, Ted Snowdon, Doug Nevin\/Erica Lynn Schwartz, Ronald Frankel\/Bat-Barry Productions, Kathleen Seidel, Kelpie Arts, LLC, Jam Theatricals, Rachel Helson\/Heather Provost<\/p>\n<p><span style=\"font-style: italic;\">33 Variations<\/span><br \/><span style=\"font-style: italic;\"> <\/span>Author: Mois\u00e9s Kaufman<br \/>Producers: David Binder, Ruth Hendel, Goldberg\/Mills, Latitude Link, Arielle Tepper Madover, Bill Resnick, Eric Schnall, Jayne Baron Sherman, Wills\/True Love Productions, Tectonic Theater Project, Greg Reiner, Dominick Balletta, Jeffrey LaHoste<\/p>\n<p>Best Musical<\/p>\n<p><span style=\"font-style: italic;\">Billy Elliot, The Musical<\/span><br \/><span style=\"font-style: italic;\"> <\/span>Producers: Universal Pictures Stage Productions, Working Title Films, Old Vic Productions, Weinstein Live Entertainment<\/p>\n<p><span style=\"font-style: italic;\">Next to Normal<\/span><br \/><span style=\"font-style: italic;\"> <\/span>Producers: David Stone, James L. Nederlander, Barbara Whitman, Patrick Catullo, Second Stage Theatre, Carole Rothman, Ellen Richard<\/p>\n<p><span style=\"font-style: italic;\">Rock of Ages<\/span><br \/><span style=\"font-style: italic;\"> <\/span>Producers: Matthew Weaver, Carl Levin, Jeff Davis, Barry Habib, Scott Prisand, Relativity Media, Corner Store Fund, Janet Billig Rich, Hillary Weaver, Toni Habib, Paula Davis, Simon and Stefany Bergson\/Jennifer Maloney, Charles Rolecek, Susanne Brook, Israel Wolfson, Sara Katz\/Jayson Raitt, Max Gottlieb\/John Butler, David Kaufman\/Jay Franks, Mike Wittlin, Prospect Pictures, Laura Smith\/Bill Bodnar, Happy Walters, Michele Caro, The Araca Group<\/p>\n<p><span style=\"font-style: italic;\">Shrek The Musical<\/span><br \/><span style=\"font-style: italic;\"> <\/span>Producers: Dreamworks Theatricals, Neal Street Productions<\/p>\n<p>Best Book of a Musical<\/p>\n<p><span style=\"font-style: italic;\">Billy Elliot, The Musical<\/span><span style=\"font-style: italic;\"><\/span>; Lee Hall<br \/> <span style=\"font-style: italic;\">Next to Normal<\/span> -Brian Yorkey<br \/> <span style=\"font-style: italic;\">Shrek The Musical<\/span> &#8211; David Lindsay-Abaire<br \/> <span style=\"font-style: italic;\">[Title of Show]<\/span> &#8211; Hunter Bell<\/p>\n<p>Best Original Score (Music and\/or Lyrics) Written for the Theatre<\/p>\n<p><span style=\"font-style: italic;\">Billy Elliot, The Musical<\/span><br \/>Music: Elton John<br \/>Lyrics: Lee Hall<\/p>\n<p><span style=\"font-style: italic;\"> Next to Normal<\/span><br \/><span style=\"font-style: italic;\"> <\/span>Music: Tom Kitt<br \/>Lyrics: Brian Yorkey<\/p>\n<p><span style=\"font-style: italic;\"> 9 to 5: The Musical<\/span><br \/><span style=\"font-style: italic;\"> <\/span>Music &amp; Lyrics: Dolly Parton<\/p>\n<p><span style=\"font-style: italic;\">Shrek The Musical<\/span><br \/><span style=\"font-style: italic;\"> <\/span>Music: Jeanine Tesori<br \/>Lyrics: David Lindsay-Abaire<\/p>\n<p>Best Revival of a Play<\/p>\n<p><span style=\"font-style: italic;\">Joe Turner\u2019s Come and Gone<\/span><br \/><span style=\"font-style: italic;\"> <\/span>Producers: Lincoln Center Theater, Andr\u00e9 Bishop, Bernard Gersten<\/p>\n<p><span style=\"font-style: italic;\">Mary Stuart<\/span><br \/><span style=\"font-style: italic;\"> <\/span>New Version: Peter Oswald<br \/>Producers: Arielle Tepper Madover, Debra Black, Neal Street Productions\/Matthew Byam Shaw, Scott Delman, Barbara Whitman, Jean Doumanian\/Ruth Hendel, David Binder\/CarlWend Productions\/Spring Sirkin, Daryl Roth\/James L. Nederlander\/Chase Mishkin, The Donmar Warehouse<\/p>\n<p><span style=\"font-style: italic;\">The Norman Conquests<\/span><br \/><span style=\"font-style: italic;\"> <\/span>Producers: Sonia Friedman Productions, Steven Baruch, Marc Routh, Richard Frankel, Tom Viertel, Dede Harris, Tulchin\/Bartner\/Lauren Doll, Jamie deRoy, Eric Falkenstein, Harriet Newman Leve, Probo Productions, Douglas G. Smith, Michael Filerman\/Jennifer Manocherian, Richard Winkler, Dan Frishwasser, Pam Laudenslager\/Remmel T. Dickinson, Jane Dubin\/True Love Productions, Barbara Manocherian\/Jennifer Isaacson, The Old Vic Theatre Company<\/p>\n<p><span style=\"font-style: italic;\">Waiting for Godot<\/span><br \/><span style=\"font-style: italic;\"> <\/span>Producers: Roundabout Theatre Company, Todd Haimes, Harold Wolpert, Julia C. Levy, Elizabeth Ireland McCann<\/p>\n<p>Best Revival of a Musical<\/p>\n<p><span style=\"font-style: italic;\">Guys and Dolls<\/span><br \/><span style=\"font-style: italic;\"> <\/span>Producers: Howard Panter and Ambassador Theatre Group, Tulchin\/Bartner, Bill Kenwright, Northwater Entertainment, Darren Bagert, Tom Gregory, Nederlander Presentations, Inc., David Mirvish, Michael Jenkins\/Dallas Summer Musicals, Independent Presenters Network, Olympus Theatricals, Sonia Friedman Productions<\/p>\n<p><span style=\"font-style: italic;\">Hair<\/span><br \/><span style=\"font-style: italic;\"> <\/span>Producers: The Public Theater, Oskar Eustis, Andrew D. Hamingson, Jeffrey Richards, Jerry Frankel, Gary Goddard Entertainment, Kathleen K. Johnson, Nederlander Productions, Inc., Fran Kirmser Productions\/Jed Bernstein, Marc Frankel, Broadway Across America, Barbara Manocherian\/Wencarlar Productions, JK Productions\/Terry Schnuck, Andy Sandberg, Jam Theatricals, The Weinstein Company\/Norton Herrick, Jujamcyn Theaters, Joey Parnes, Elizabeth Ireland McCann<\/p>\n<p><span style=\"font-style: italic;\"> Pal Joey<\/span><br \/><span style=\"font-style: italic;\"> <\/span>Producers: Roundabout Theatre Company, Todd Haimes, Harold Wolpert, Julia C. Levy, Marc Platt<\/p>\n<p><span style=\"font-style: italic;\">West Side Story<\/span><br \/><span style=\"font-style: italic;\"> <\/span>Producers: Kevin McCollum, James L. Nederlander, Jeffrey Seller, Terry Allen Kramer, Sander Jacobs, Roy Furman\/Jill Furman Willis, Freddy DeMann, Robyn Goodman\/Walt Grossman, Hal Luftig, Roy Miller, The Weinstein Company, Broadway Across America<\/p>\n<p>Best Special Theatrical Event<\/p>\n<p><span style=\"font-style: italic;\">Liza\u2019s at The Palace<\/span><br \/><span style=\"font-style: italic;\"> <\/span>Producers: John Scher and Metropolitan Talent Presents, LLC; Jubilee Time Productions, LLC<\/p>\n<p><span style=\"font-style: italic;\"> Slava\u2019s Snowshow<\/span><br \/><span style=\"font-style: italic;\"> <\/span>Producers: David J. Foster, Jared Geller, Joseph Gordon-Levitt, Judith Marinoff Cohn, John Pinckard<\/p>\n<p><span style=\"font-style: italic;\">Soul of Shaolin<\/span><br \/><span style=\"font-style: italic;\"> <\/span>Producers: Nederlander Worldwide Productions, LLC; Eastern Shanghai International Culture Film &amp; Television Group; China on Broadway<\/p>\n<p><span style=\"font-style: italic;\">You\u2019re Welcome America.  A Final Night with George W. Bush<\/span><br \/><span style=\"font-style: italic;\"> <\/span>Producer: Jeffrey Richards, Jerry Frankel, Steve Traxler, Home Box Office Inc., Gary Sanchez Productions, Bat-Barry Productions, Ken Davenport, Ergo Entertainment, Ronald Frankel, Jon B. Platt, James D. Stern, The Weinstein Company, Tara Smith\/b. Swibel, Dede Harris\/Sharon Karmazin, Arny Granat<\/p>\n<p>Best Performance by a Leading Actor in a Play<\/p>\n<p>Jeff Daniels, <span style=\"font-style: italic;\">God of Carnage<\/span><br \/>Ra\u00fal Esparza, <span style=\"font-style: italic;\">Speed-the-Plow<\/span><br \/>James Gandolfini, <span style=\"font-style: italic;\">God of Carnage<\/span><br \/>Geoffrey Rush, <span style=\"font-style: italic;\">Exit the King<\/span><br \/>Thomas Sadoski, <span style=\"font-style: italic;\">Reasons to Be Pretty<\/span><\/p>\n<p>Best Performance by a Leading Actress in a Play<\/p>\n<p>Hope Davis, <span style=\"font-style: italic;\">God of Carnage<\/span><br \/> Jane Fonda, 33 <span style=\"font-style: italic;\">Variations<\/span><br \/>Marcia Gay Harden, <span style=\"font-style: italic;\">God of Carnage<\/span><br \/> Janet McTeer, <span style=\"font-style: italic;\">Mary Stuart<\/span><br \/>Harriet Walter, <span style=\"font-style: italic;\">Mary Stuart<\/span><\/p>\n<p>Best Performance by a Leading Actor in a Musical<\/p>\n<p>David Alvarez, Trent Kowalik, and Kiril Kulish \u2013 <span style=\"font-style: italic;\">Billy Elliot, The Musical<\/span><br \/>Gavin Creel, <span style=\"font-style: italic;\">Hair<\/span><br \/>Brian d\u2019Arcy James, <span style=\"font-style: italic;\">Shrek The Musical<\/span><br \/>Constantine Maroulis, <span style=\"font-style: italic;\">Rock of Ages<\/span><br \/>J. Robert Spencer, <span style=\"font-style: italic;\">Next to Normal<\/span><\/p>\n<p>Best Performance by a Leading Actress in a Musical<\/p>\n<p>Stockard Channing, <span style=\"font-style: italic;\">Pal Joey<\/span><br \/>Sutton Foster, <span style=\"font-style: italic;\">Shrek The Musical<\/span><br \/>Allison Janney, <span style=\"font-style: italic;\">9 to 5: The Musical<\/span><br \/>Alice Ripley, <span style=\"font-style: italic;\">Next to Normal<\/span><br \/>Josefina Scaglione, <span style=\"font-style: italic;\">West Side Story<\/span><\/p>\n<p>Best Performance by a Featured Actor in a Play<\/p>\n<p>John Glover, <span style=\"font-style: italic;\">Waiting for Godot<\/span><br \/>Zach Grenier, <span style=\"font-style: italic;\">33 Variations<\/span><br \/>Stephen Mangan, <span style=\"font-style: italic;\">The Norman Conquests<\/span><br \/>Paul Ritter, <span style=\"font-style: italic;\">The Norman Conquests<\/span><br \/>Roger Robinson, <span style=\"font-style: italic;\">Joe Turner\u2019s Come and Gone<\/span><\/p>\n<p>Best Performance by a Featured Actress in a Play<\/p>\n<p>Hallie Foote, <span style=\"font-style: italic;\">Dividing the Estate<\/span><br \/>Jessica Hynes, <span style=\"font-style: italic;\">The Norman Conquests<\/span><br \/>Marin Ireland, <span style=\"font-style: italic;\">Reasons to Be Pretty<\/span><br \/>Angela Lansbury, <span style=\"font-style: italic;\">Blithe Spirit<\/span><br \/>Amanda Root, <span style=\"font-style: italic;\">The Norman Conquests<\/span><\/p>\n<p>Best Performance by a Featured Actor in a Musical<\/p>\n<p>David Bologna, <span style=\"font-style: italic;\">Billy Elliot, The Musical <\/span><br \/>Gregory Jbara, <span style=\"font-style: italic;\">Billy Elliot, The Musical<\/span><br \/>Marc Kudisch, <span style=\"font-style: italic;\">9 to 5: The Musical<\/span><br \/>Christopher Sieber, <span style=\"font-style: italic;\">Shrek The Musical<\/span><br \/>Will Swenson, <span style=\"font-style: italic;\">Hair<\/span><\/p>\n<p>Best Performance by a Featured Actress in a Musical<\/p>\n<p>Jennifer Damiano, <span style=\"font-style: italic;\">Next to Normal<\/span><br \/>Haydn Gwynne, <span style=\"font-style: italic;\">Billy Elliot, The Musical<\/span><br \/>Karen Olivo, <span style=\"font-style: italic;\">West Side Story<\/span><br \/>Martha Plimpton, <span style=\"font-style: italic;\">Pal Joey<\/span><br \/>Carole Shelley, <span style=\"font-style: italic;\">Billy Elliot, The Musical<\/span><\/p>\n<p>Best Scenic Design of a Play<\/p>\n<p>Dale Ferguson, <span style=\"font-style: italic;\">Exit the King<\/span><br \/>Rob Howell, <span style=\"font-style: italic;\">The Norman Conquests<\/span><br \/>Derek McLane, <span style=\"font-style: italic;\">33 Variations<\/span><br \/>Michael Yeargan, <span style=\"font-style: italic;\">Joe Turner\u2019s Come and Gone<\/span><\/p>\n<p>Best Scenic Design of a Musical<\/p>\n<p>Robert Brill, <span style=\"font-style: italic;\">Guys and Dolls<\/span><br \/>Ian MacNeil, <span style=\"font-style: italic;\">Billy Elliot, The Musical<\/span><br \/>Scott Pask, <span style=\"font-style: italic;\">Pal Joey<\/span><br \/>Mark Wendland, <span style=\"font-style: italic;\">Next to Normal<\/span><\/p>\n<p> Best Costume Design of a Play<\/p>\n<p>Dale Ferguson, <span style=\"font-style: italic;\">Exit the King<\/span><br \/>Jane Greenwood, <span style=\"font-style: italic;\">Waiting for Godot<\/span><br \/>Martin Pakledinaz, <span style=\"font-style: italic;\">Blithe Spirit<\/span><br \/>Anthony Ward, <span style=\"font-style: italic;\">Mary Stuart<\/span><\/p>\n<p>Best Costume Design of a Musical<\/p>\n<p>Gregory Gale, <span style=\"font-style: italic;\">Rock of Ages<\/span><br \/>Nicky Gillibrand, <span style=\"font-style: italic;\">Billy Elliot, The Musical<\/span><br \/>Tim Hatley, <span style=\"font-style: italic;\">Shrek The Musical<\/span><br \/>Michael McDonald, <span style=\"font-style: italic;\">Hair<\/span><\/p>\n<p>Best Lighting Design of a Play<\/p>\n<p>David Hersey, <span style=\"font-style: italic;\">Equus<\/span><br \/>David Lander, <span style=\"font-style: italic;\">33 Variations<\/span><br \/>Brian MacDevitt, <span style=\"font-style: italic;\">Joe Turner\u2019s Come and Gone<\/span><br \/> Hugh Vanstone, <span style=\"font-style: italic;\">Mary Stuart<\/span><\/p>\n<p>Best Lighting Design of a Musical<\/p>\n<p>Kevin Adams, <span style=\"font-style: italic;\">Hair<\/span><br \/>Kevin Adams, <span style=\"font-style: italic;\">Next to Normal<\/span><br \/>Howell Binkley, <span style=\"font-style: italic;\">West Side Story<\/span><br \/>Rick Fisher, <span style=\"font-style: italic;\">Billy Elliot, The Musical<\/span><\/p>\n<p>Best Sound Design of a Play<\/p>\n<p>Paul Arditti, <span style=\"font-style: italic;\">Mary Stuart<\/span><br \/>Gregory Clarke, <span style=\"font-style: italic;\">Equus<\/span><br \/>Russell Goldsmith, <span style=\"font-style: italic;\">Exit the King<\/span><br \/>Scott Lehrer and Leon Rothenberg, <span style=\"font-style: italic;\">Joe Turner\u2019s Come and Gone<\/span><\/p>\n<p>Best Sound Design of a Musical<\/p>\n<p>Acme Sound Partners, <span style=\"font-style: italic;\">Hair<\/span><br \/>Paul Arditti, <span style=\"font-style: italic;\">Billy Elliot, The Musical<\/span><br \/>Peter Hylenski, <span style=\"font-style: italic;\">Rock of Ages<\/span><br \/>Brian Ronan, <span style=\"font-style: italic;\">Next to Normal<\/span><\/p>\n<p>Best Direction of a Play<\/p>\n<p>Phyllida Lloyd, <span style=\"font-style: italic;\">Mary Stuart<\/span><br \/>Bartlett Sher, <span style=\"font-style: italic;\">Joe Turner\u2019s Come and Gone<\/span><br \/>Matthew Warchus, <span style=\"font-style: italic;\">God of Carnage<\/span><br \/>Matthew Warchus, <span style=\"font-style: italic;\">The Norman Conquests<\/span><\/p>\n<p>Best Direction of a Musical<\/p>\n<p>Stephen Daldry, <span style=\"font-style: italic;\">Billy Elliot, The Musical<\/span><br \/> Michael Greif, <span style=\"font-style: italic;\">Next to Normal<\/span><br \/>Kristin Hanggi, <span style=\"font-style: italic;\">Rock of Ages<\/span><br \/>Diane Paulus,<span style=\"font-style: italic;\"> Hair<\/span><\/p>\n<p>Best Choreography<\/p>\n<p>Karole Armitage, <span style=\"font-style: italic;\">Hair<\/span><br \/>Andy Blankenbuehler, <span style=\"font-style: italic;\">9 to 5: The Musical<\/span><br \/>Peter Darling, <span style=\"font-style: italic;\">Billy Elliot, The Musical<\/span><br \/>Randy Skinner, <span style=\"font-style: italic;\">Irving Berlin\u2019s White Christmas<\/span><\/p>\n<p>Best Orchestrations<\/p>\n<p>Larry Blank, <span style=\"font-style: italic;\">Irving Berlin\u2019s White Christmas<\/span><br \/>Martin Koch, <span style=\"font-style: italic;\">Billy Elliot, The Musical<\/span><br \/>Michael Starobin and Tom Kitt, <span style=\"font-style: italic;\">Next to Normal<\/span><br \/>Danny Troob and John Clancy, <span style=\"font-style: italic;\">Shrek The Musical<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The 2009 Tony Award Nominations: Best Play Dividing the EstateAuthor: Horton FooteProducers: Lincoln Center Theater, Bernard Gersten, Andr\u00e9 Bishop, Primary Stages God of CarnageAuthor: Yasmina RezaProducers: Robert Fox, David Pugh &amp; Dafydd Rogers, Stuart Thompson, Scott Rudin, Jon B. Platt, The Weinstein Company, The Shubert Organization Reasons to Be PrettyAuthor: Neil LaButeProducers: Jeffrey Richards, Jerry &hellip; <a href=\"https:\/\/www.theatreaficionado.com\/?p=486\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">And they&#8217;re off&#8230;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[1766],"class_list":["post-486","post","type-post","status-publish","format-standard","hentry","tag-tony-awards"],"_links":{"self":[{"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=\/wp\/v2\/posts\/486","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=486"}],"version-history":[{"count":0,"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=\/wp\/v2\/posts\/486\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=486"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=486"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=486"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}