{"id":5040,"date":"2017-12-31T23:14:19","date_gmt":"2018-01-01T04:14:19","guid":{"rendered":"http:\/\/www.theatreaficionado.com\/?p=5040"},"modified":"2017-12-31T23:14:19","modified_gmt":"2018-01-01T04:14:19","slug":"the-year-of-living-cinematically-6","status":"publish","type":"post","link":"https:\/\/www.theatreaficionado.com\/?p=5040","title":{"rendered":"The Year of Living Cinematically"},"content":{"rendered":"<p>Same as every other year: all films were watched in their entirety and all films that I\u2019d never seen before have been marked with an asterisk.<\/p>\n<p><em>The Bishop&#8217;s Wife<\/em> (1947) 1\/1<br \/>\n<em>*Sing Street<\/em> (2016) 1\/3<br \/>\n<em>His Girl Friday<\/em> (1940) 1\/13<br \/>\n<em>*La La Land<\/em> (2016) 1\/19<br \/>\n<em>The Third Man<\/em> (1949) 2\/3<br \/>\n<em>*Moonlight<\/em> (2016) 3\/2<br \/>\n<em>*Best Worst Thing That Ever Could Have Happened<\/em> (2016) 3\/21<br \/>\n<em>Fiddler on the Roof<\/em> (1971) 3\/28<br \/>\n<em>*A Conspiracy of Faith<\/em> (2016) 4\/22<br \/>\n<em>The Man Who Knew Too Much<\/em> (1934) 4\/30<br \/>\n<em>*Clueless<\/em> (1995) 5\/1<br \/>\n<em>*Tomorrow Is Forever<\/em> (1946) 5\/3<br \/>\n<em>Indiana Jones and the Temple of Doom<\/em> (1984) 5\/29<br \/>\n<em>Sister Act<\/em> (1992) 5\/29<br \/>\n<em>Sister Act 2: Back in the Habit<\/em> (1993) 5\/30<br \/>\n<em>*If You&#8217;re Not in the Obit, Eat Breakfast<\/em> (2017) 6\/6<br \/>\n<em>*Lincoln<\/em> (2012) 6\/29<br \/>\n<em>Woman of the Year<\/em> (1942) 7\/6<br \/>\n<em>Kiss Me, Kate<\/em> (1953) 7\/14<br \/>\n<em>*The Lodger<\/em> (1927) 7\/15<br \/>\n<em>*A Month in the Country<\/em> (1987) 7\/16<br \/>\n<em>Nanny McPhee<\/em> (2005) 7\/18<br \/>\n<em>Mame<\/em> (1974) 7\/29<br \/>\n<em>The Sound of Music<\/em> (1965) 8\/14<br \/>\n<em>La La Land<\/em> (2016) 9\/17<br \/>\n<em>*My Left Foot<\/em> (1989) 9\/19<br \/>\n<em>Breakfast at Tiffany&#8217;s<\/em> (1961) 10\/2<br \/>\n<em>*The Meyerowitz Stories (New and Selected)<\/em> (2017) 10\/18<br \/>\n<em>Pygmalion<\/em> (1938) 10\/22<br \/>\n<em>The Addams Family<\/em> (1991) 10\/29<br \/>\n<em>Addams Family Values<\/em> (1993) 10\/31<br \/>\n<em>Halloween<\/em> (1978) 11\/1<br \/>\n<em>*Too Funny to Fail<\/em> (2017) 11\/13<br \/>\n<em>*Hopscotch<\/em> (1980) 11\/15<br \/>\n<em>*Remittance<\/em> (2015) 11\/19<br \/>\n<em>*Gaga: Five Foot Two<\/em> (2017) 11\/22<br \/>\n<em>The Philadelphia Story<\/em> (1940) 12\/16<br \/>\n<em>Christmas Vacation<\/em> (1989) 12\/19<br \/>\n<em>Scrooged<\/em> (1988) 12\/20<br \/>\n<em>Meet Me in St. Louis<\/em> (1944) 12\/22<br \/>\n<em>The Bishop&#8217;s Wife<\/em>\u00a0(1947) 12\/23<br \/>\n<em>It&#8217;s a Wonderful Life<\/em> (1946) 12\/30<br \/>\n<em>*Fences\u00a0<\/em>(2016) 12\/31<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Same as every other year: all films were watched in their entirety and all films that I\u2019d never seen before have been marked with an asterisk. The Bishop&#8217;s Wife (1947) 1\/1 *Sing Street (2016) 1\/3 His Girl Friday (1940) 1\/13 *La La Land (2016) 1\/19 The Third Man (1949) 2\/3 *Moonlight (2016) 3\/2 *Best Worst &hellip; <a href=\"https:\/\/www.theatreaficionado.com\/?p=5040\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">The Year of Living Cinematically<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[2041],"class_list":["post-5040","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-film"],"_links":{"self":[{"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=\/wp\/v2\/posts\/5040","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5040"}],"version-history":[{"count":1,"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=\/wp\/v2\/posts\/5040\/revisions"}],"predecessor-version":[{"id":5041,"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=\/wp\/v2\/posts\/5040\/revisions\/5041"}],"wp:attachment":[{"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5040"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5040"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5040"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}