{"id":5079,"date":"2022-12-31T21:52:18","date_gmt":"2023-01-01T02:52:18","guid":{"rendered":"http:\/\/www.theatreaficionado.com\/?p=5079"},"modified":"2022-12-31T21:52:20","modified_gmt":"2023-01-01T02:52:20","slug":"the-year-of-living-cinematically-11","status":"publish","type":"post","link":"https:\/\/www.theatreaficionado.com\/?p=5079","title":{"rendered":"The Year of Living Cinematically"},"content":{"rendered":"\n<p>The only rule: each entry was watched in its entirety. All films that I saw for the first time are marked with an asterisk.<\/p>\n\n\n\n<p><em>High Noon <\/em>(1952) 1\/4<br><em>Lilies of the Field <\/em>(1963) 1\/11<br><em>*The Tragedy of Macbeth <\/em>(2021) 1\/18<br><em>Vertigo <\/em>(1958) 1\/29<br><em>*Topaz <\/em>(1969) 1\/30<br><em>The Parent Trap <\/em>(1998) 2\/9<br><em>All That Heaven Allows <\/em>(1955) 2\/13<br><em>The Music Man <\/em>(1962) 2\/14<br><em>*Three Little Words <\/em>(1950) 2\/16<br><em>Moonstruck <\/em>(1987) 2\/20<br>*<em>The French Dispatch<\/em> (2021) 2\/28<br>*<em>West Side Story <\/em>(2021) 3\/3<br>*<em>Summer of Soul <\/em>(2021) 3\/18<br>*<em>CODA <\/em>(2021) 3\/24<br><em>*White Hot: The Rise and Fall of Abercrombie &amp; Fitch <\/em>(2022) 4\/20<br><em>The Crucible <\/em>(1996) 4\/30<br><em>Imitation of Life <\/em>(1959) 4\/30<br><em>Flower Drum Song <\/em>(1961) 6\/5<br><em>*Good Luck to You, Leo Grande<\/em> (2022) 6\/18<br>*<em>The Abominable Dr. Phibes <\/em>(1971) 7\/4<br><em>Moonstruck <\/em>(1987) 7\/29<br><em>*Local Hero <\/em>(1993) 9\/7<br><em>The Clock <\/em>(1945) 9\/8<br><em>The Lord of the Rings: The Fellowship of the Ring <\/em>(2001) 9\/13<br><em>The Lord of the Rings: The Two Towers <\/em>(2002) 9\/14<br><em>The Lord of the Rings: The Return of the King <\/em>(2003) 9\/17<br><em>The Parent Trap <\/em>(1998) 9\/18<br><em>*The Piano <\/em>(1993) 9\/28<br><em>*Claudine <\/em>(1974) 10\/3<br><em>The Sound of Music <\/em>(1965) 10\/5<br><em>Singin&#8217; in the Rain <\/em>(1952) 10\/22<br><em>Peyton Place <\/em>(1957) 10\/24<br><em>Vertigo <\/em>(1958) 10\/24<br><em>Funny Girl <\/em>(1968) 10\/25<br><em>*In a Lonely Place <\/em>(1950) 10\/25<br><em>*To Sleep with Anger <\/em>(1990) 10\/26<br><em>Gypsy <\/em>(1962) 10\/27<br>*<em>See How They Run <\/em>(2022) 11\/16<br><em>Come Back, Little Sheba <\/em>(1952) 11\/17<br><em>*Quartet <\/em>(1981) 11\/18<br><em>The Goonies <\/em>(1985) 11\/19<br><em>*Matilda <\/em>(2022) 11\/29<br><em>Desk Set <\/em>(1957) 12\/5<br><em>*Heat and Dust <\/em>(1983) 12\/8<br><em>*The Banshees of Inisherin <\/em>(2022) 12\/16<br><em>Elf <\/em>(2003) 12\/22<br><em>The Bishop&#8217;s Wife <\/em>(1947) 12\/25<br><em>Moonstruck <\/em>(`1987) 12\/26<br><em>Christmas Vacation <\/em>(1989) 12\/27<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The only rule: each entry was watched in its entirety. All films that I saw for the first time are marked with an asterisk. High Noon (1952) 1\/4Lilies of the Field (1963) 1\/11*The Tragedy of Macbeth (2021) 1\/18Vertigo (1958) 1\/29*Topaz (1969) 1\/30The Parent Trap (1998) 2\/9All That Heaven Allows (1955) 2\/13The Music Man (1962) 2\/14*Three &hellip; <a href=\"https:\/\/www.theatreaficionado.com\/?p=5079\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">The Year of Living Cinematically<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-5079","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=\/wp\/v2\/posts\/5079","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5079"}],"version-history":[{"count":1,"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=\/wp\/v2\/posts\/5079\/revisions"}],"predecessor-version":[{"id":5080,"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=\/wp\/v2\/posts\/5079\/revisions\/5080"}],"wp:attachment":[{"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5079"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5079"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5079"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}