{"id":610,"date":"2009-08-21T18:30:00","date_gmt":"2009-08-21T22:30:00","guid":{"rendered":"http:\/\/clients.chrisvanpatten.com\/theatreaficionado.com\/2009\/08\/coming-this-fall.html"},"modified":"2009-08-21T18:30:00","modified_gmt":"2009-08-21T22:30:00","slug":"coming-this-fall","status":"publish","type":"post","link":"https:\/\/www.theatreaficionado.com\/?p=610","title":{"rendered":"Coming This Fall…"},"content":{"rendered":"

\"\"<\/a>
I can’t wait to get my hands on this album. For the record? “Let’s See What Happens” from Darling of the Day<\/span> is one of my all-time favorite show songs. Release from PS Classics<\/a> expected October 20. Kate Baldwin can also be seen onstage in the new Broadway revival of Finian’s Rainbow<\/a> <\/span>and has just launched her official website<\/a>. Plus, she’s also featured on a studio cast album of a long-forgotten 1926 musical comedy Kitty’s Kisses, <\/span>also from PS Classics. So much to look forward to from this diva on the rise!<\/p>\n

Her first solo album is a tribute to Finian’s Rainbow<\/span>‘s composer Burton Lane and lyricist E.Y. Harburg, an amalgamation of songs they wrote together and with other artists. The track list (courtesy of SarahB<\/a>) is as follows:<\/p>\n

“That Something Extra Special”
(Darling of the Day, <\/span>1968)
Jule Styne & E.Y. Harburg
Orch. Sam Davis<\/p>\n

“How About You?”
(Babes on Broadway<\/span>, 1941)
Burton Lane & E.Y. Harburg
orch. Jonathan Tunick
Jonathan Tunick, clarinet (even Benny Goodman would eat his heart out!)<\/p>\n

“Moments Like This”
(College Swing<\/span>, 1938)
Burton Lane & Frank Loesser
orch. Georgia Stitt<\/p>\n

“Come Back to Me”
(On a Clear Day You Can See Forever<\/span>, 1965)
Burton Lane & Alan Jay Lerner
orch. Jonathan Tunick<\/p>\n

“Here\u2019s to Your Illusions”
(Flahooley<\/span>, 1951)
Sammy Fain & E.Y. Harburg
orch. Steve Marzullo<\/p>\n

“Have Feet, Will Dance”
(Junior Miss<\/span>, 1957)
Burton Lane & Dorothy Fields
orch. Rob Berman<\/p>\n

“How Are Things in Glocca Morra?”
(Finian\u2019s Rainbow<\/span>, 1947)
Burton Lane & E.Y. Harburg
orch. Rob Berman<\/p>\n

“Poor You”
(Ship Ahoy<\/span>, 1942)
Burton Lane & E.Y. Harburg
orch. Joshua Rosenblum<\/p>\n

“Paris Is a Lonely Town”
(Gay Purr-ee<\/span>, 1962)
Harold Arlen & E.Y. Harburg
orch. Jonathan Tunick<\/p>\n

“I Like the Likes of You”
(Ziegfeld Follies of 1934<\/span>)
Vernon Duke & E.Y. Harburg
orch. Rob Berman<\/p>\n

“Let\u2019s See What Happens\/Open Your Eyes”
(Darling of the Day<\/span>, 1968)
Jule Styne & E.Y. Harburg
(Royal Wedding<\/span>, 1951)
Burton Lane & Alan Jay Lerner
orch. Rob Berman<\/p>\n

“Where Have I Seen Your Face Before?”
Burton Lane & E.Y. Harburg
orch. Joel Fram<\/p>\n

“He Wasn\u2019t You”
(On a Clear Day You Can See Forever<\/span>, 1965)
Burton Lane & Alan Jay Lerner
orch. Joseph Thalken<\/p>\n

“I Don\u2019t Think I\u2019ll End It All Today”
(Jamaica<\/span>, 1957)
Harold Arlen & E.Y. Harburg
orch. Jason Robert Brown<\/p>\n

“The World Is in My Arms”
Burton Lane & E.Y. Harburg
(Hold on to Your Hats<\/span>, 1940)
Rob Berman, piano<\/p>\n","protected":false},"excerpt":{"rendered":"

I can’t wait to get my hands on this album. For the record? “Let’s See What Happens” from Darling of the Day is one of my all-time favorite show songs. Release from PS Classics expected October 20. Kate Baldwin can also be seen onstage in the new Broadway revival of Finian’s Rainbow and has just … Continue reading Coming This Fall…<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":3891,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[2232],"class_list":["post-610","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","tag-kate-baldwin"],"_links":{"self":[{"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=\/wp\/v2\/posts\/610","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=610"}],"version-history":[{"count":0,"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=\/wp\/v2\/posts\/610\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=\/wp\/v2\/media\/3891"}],"wp:attachment":[{"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=610"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=610"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=610"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}