{"id":676,"date":"2009-10-28T05:01:00","date_gmt":"2009-10-28T09:01:00","guid":{"rendered":"http:\/\/clients.chrisvanpatten.com\/theatreaficionado.com\/2009\/10\/like-rearranging-the-deck-chairs-on-the-titanic.html"},"modified":"2009-10-28T05:01:00","modified_gmt":"2009-10-28T09:01:00","slug":"like-rearranging-the-deck-chairs-on-the-titanic","status":"publish","type":"post","link":"https:\/\/www.theatreaficionado.com\/?p=676","title":{"rendered":"&quot;Like rearranging the deck chairs on the Titanic&#8230;&quot;"},"content":{"rendered":"<p>Whole songs and chunks of dialogue disappeared and new material had to  be learned. Sets and costumes changed. &#8220;It was Dunkerque,&#8221; recalls [Patricia]  Routledge. &#8220;I never knew how I would get to the end of the show.  Sometimes I didn&#8217;t know which way I was facing.&#8221; Adds [Ken] Howard: &#8220;I  couldn&#8217;t sleep or eat. I found it hard to focus my mind on what I was  doing onstage. I became a zombie, an automaton.&#8221; But, says Howard, the  endless changes that were made in the show were only &#8220;like rearranging  the deck chairs on the Titanic.&#8221;<\/p>\n<p>&#8211; The two stars of <span style=\"font-style: italic;\">1600 Pennsylvania Avenue <\/span>on the chaos of the experience in an informative <a href=\"http:\/\/www.time.com\/time\/magazine\/article\/0,9171,947691,00.html\">article<\/a> documenting the show&#8217;s failure from the May 31, 1976 edition of Time Magazine.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Whole songs and chunks of dialogue disappeared and new material had to be learned. Sets and costumes changed. &#8220;It was Dunkerque,&#8221; recalls [Patricia] Routledge. &#8220;I never knew how I would get to the end of the show. Sometimes I didn&#8217;t know which way I was facing.&#8221; Adds [Ken] Howard: &#8220;I couldn&#8217;t sleep or eat. I &hellip; <a href=\"https:\/\/www.theatreaficionado.com\/?p=676\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">&quot;Like rearranging the deck chairs on the Titanic&#8230;&quot;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[1614,1700,1619,1691],"class_list":["post-676","post","type-post","status-publish","format-standard","hentry","tag-1600-pennsylvania-avenue","tag-ken-howard","tag-patricia-routledge","tag-quote-of-the-day"],"_links":{"self":[{"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=\/wp\/v2\/posts\/676","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=676"}],"version-history":[{"count":0,"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=\/wp\/v2\/posts\/676\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=676"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=676"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=676"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}