{"id":759,"date":"2010-02-05T14:54:00","date_gmt":"2010-02-05T18:54:00","guid":{"rendered":"http:\/\/clients.chrisvanpatten.com\/theatreaficionado.com\/2010\/02\/oscar-nominations.html"},"modified":"2010-02-05T14:54:00","modified_gmt":"2010-02-05T18:54:00","slug":"oscar-nominations","status":"publish","type":"post","link":"https:\/\/www.theatreaficionado.com\/?p=759","title":{"rendered":"Oscar nominations"},"content":{"rendered":"<p>I&#8217;m still in the midst of my annual February screening, so I have no solid opinions yet. However, who are your picks? The Oscars are on March 7. Last year, I was pre-empted because I was en route to the Philippines, but I&#8217;ve my normal Academy punditry this season.<\/p>\n<p>Best Motion Picture of the Year:<br \/><span style=\"font-style: italic;\">A Serious Man<\/span><br \/><span style=\"font-style: italic;\">An Education<\/span><br \/><span style=\"font-style: italic;\">Avatar<\/span><br \/><span style=\"font-style: italic;\">The Blind Side<\/span><br \/><span style=\"font-style: italic;\">District 9<\/span><br \/><span style=\"font-style: italic;\">Inglourious Basterds<\/span><br \/><span style=\"font-style: italic;\">Precious<\/span><br \/><span style=\"font-style: italic;\">The Hurt Locker<\/span><br \/><span style=\"font-style: italic;\">Up<\/span><br \/><span style=\"font-style: italic;\">Up in the Air<\/span><\/p>\n<p>Best Performance by an Actor in a Leading Role:<br \/>Jeff Bridges,<span style=\"font-style: italic;\"> Crazy Heart<\/span><br \/>George Clooney, <span style=\"font-style: italic;\">Up in the Air<\/span><br \/>Colin Firth, <span style=\"font-style: italic;\">A Single Man<\/span><br \/>Morgan Freeman, <span style=\"font-style: italic;\">Invictus<\/span><br \/>Jeremy Renner,<span style=\"font-style: italic;\"> The Hurt Locker<\/span><\/p>\n<p>Best Performance by an Actress in a Leading Role:<br \/>Sandra Bullock, <span style=\"font-style: italic;\">The Blind Side<\/span><br \/>Helen Mirren, <span style=\"font-style: italic;\">The Last Station<\/span><br \/>Carey Mulligan, <span style=\"font-style: italic;\">An Education<\/span><br \/>Gabourey Sidibe, <span style=\"font-style: italic;\">Precious<\/span><br \/>Meryl Streep, <span style=\"font-style: italic;\">Julie &amp; Julia<\/span><\/p>\n<p>Best Performance by an Actor in a Supporting Role:<br \/>Matt Damon, <span style=\"font-style: italic;\">Invictus<\/span><br \/>Woody Harrelson, <span style=\"font-style: italic;\">The Messenger<\/span><br \/>Christopher Plummer, <span style=\"font-style: italic;\">The Last Station<\/span><br \/>Stanley Tucci, <span style=\"font-style: italic;\">The Lovely Bones<\/span><br \/>Christoph Waltz, <span style=\"font-style: italic;\">Inglourious Basterds<\/span><\/p>\n<p>Best Performance by an Actress in a Supporting Role:<br \/>Penelope Cruz, <span style=\"font-style: italic;\">Nine<\/span><br \/>Vera Farmiga, <span style=\"font-style: italic;\">Up in the Air<\/span><br \/>Maggie Gyllenhaal,<span style=\"font-style: italic;\"> Crazy Heart<\/span><span style=\"font-style: italic;\"><\/span><br \/>Anna Kendrick, <span style=\"font-style: italic;\">Up in the Air<\/span><br \/>Mo&#8217;Nique, <span style=\"font-style: italic;\">Precious<\/span><span style=\"font-style: italic;\"><\/span><\/p>\n<p>Best Achievement in Directing:<br \/>Kathryn Bigelow, <span style=\"font-style: italic;\">The Hurt Locker<\/span><br \/>James Cameron, <span style=\"font-style: italic;\">Avatar<\/span><br \/>Lee Daniels, <span style=\"font-style: italic;\">Precious<\/span><br \/>Jason Reitman, <span style=\"font-style: italic;\">Up in the Air<\/span><br \/>Quentin Tarantino, <span style=\"font-style: italic;\">Inglourious Basterds<\/span><\/p>\n<p>Best Writing, Screenplay Written Directly for the Screen:<br \/><span style=\"font-style: italic;\">Inglourious Basterds<\/span> &#8211; Quentin Tarantino<br \/><span style=\"font-style: italic;\">The Hurt Locker<\/span> &#8211; Mark Boal<br \/><span style=\"font-style: italic;\">The Messenger<\/span> &#8211; Alessandro Camon; Oren Moverman<br \/><span style=\"font-style: italic;\">A Serious Man<\/span> &#8211; Joel Coen; Ethan Coen<br \/><span style=\"font-style: italic;\">Up<\/span>  &#8211; Bob Peterson; Pete Docter; Thomas McCarthy<\/p>\n<p>Best Writing, Screenplay Based on Material Previously Produced or Published<br \/><span style=\"font-style: italic;\">District 9<\/span> &#8211; Neill Blomkamp; Terri Tatchell<br \/><span style=\"font-style: italic;\">An Education<\/span> &#8211; Nick Hornby<br \/><span style=\"font-style: italic;\">In the Loop<\/span> &#8211; Jesse Armstrong; Simon Blackwell; Armando Iannucci; Tony Roche<br \/><span style=\"font-style: italic;\">Precious<\/span> &#8211; Geoffrey Fletcher<br \/><span style=\"font-style: italic;\">Up in the Air<\/span>&#8211; Jason Reitman; Sheldon Turner<\/p>\n<p>Best Achievement in Cinematography:<br \/><span style=\"font-style: italic;\">Avatar<\/span> &#8211; Mauro Fiore<br \/><span style=\"font-style: italic;\">Das weisse Band &#8211; Eine deutsche Kindergeschichte<\/span> &#8211; Christian Berger<br \/><span style=\"font-style: italic;\">Harry Potter and the Half-Blood Prince<\/span> &#8211; Bruno Delbonnel<br \/><span style=\"font-style: italic;\">Inglourious Basterds<\/span> &#8211; Robert Richardson<br \/><span style=\"font-style: italic;\">The Hurt Locker<\/span> &#8211; Barry Ackroyd<\/p>\n<p>Best Achievement in Art Direction:<br \/><span style=\"font-style: italic;\">Avatar<\/span> &#8211; Rick Carter (art director); Robert Stromberg (art director); Kim Sinclair (set decorator)<br \/><span style=\"font-style: italic;\">Nine<\/span> &#8211; John Myhre (art director); Gordon Sim (set decorator)<br \/><span style=\"font-style: italic;\">Sherlock Holmes <\/span>&#8211; Sarah Greenwood (art director); Katie Spencer (set decorator)<br \/><span style=\"font-style: italic;\">The Imaginarium of Doctor Parnassus<\/span> &#8211; David Warren (art director); Anastasia Masaro (art director); Caroline Smith (set decorator)<br \/><span style=\"font-style: italic;\">The Young Victoria<\/span> &#8211; Patrice Vermette (art director); Maggie Gray (set decorator)<\/p>\n<p>Best Achievement in Costume Design:<br \/><span style=\"font-style: italic;\">Bright Star<\/span> &#8211; Janet Patterson<br \/><span style=\"font-style: italic;\">Coco avant Chanel<\/span> &#8211; Catherine Leterrier<br \/><span style=\"font-style: italic;\">Nine<\/span> &#8211; Colleen Atwood<br \/><span style=\"font-style: italic;\">The Imaginarium of Doctor Parnassus<\/span> &#8211; Monique Prudhomme<br \/><span style=\"font-style: italic;\">The Young Victoria<\/span> &#8211; Sandy Powell<\/p>\n<p>Best Achievement in Sound:<br \/><span style=\"font-style: italic;\">Avatar<\/span> &#8211; Christopher Boyes; Gary Summers; Andy Nelson; Tony Johnson<br \/><span style=\"font-style: italic;\">Inglourious Basterds<\/span> &#8211; Michael Minkler; Tony Lamberti; Mark Ulano<br \/><span style=\"font-style: italic;\">Star Trek<\/span> &#8211; Anna Behlmer; Andy Nelson; Peter J. Devlin<br \/><span style=\"font-style: italic;\">The Hurt Locker<\/span> &#8211; Paul N.J. Ottosson; Ray Beckett<br \/><span style=\"font-style: italic;\">Transformers: Revenge of the Fallen<\/span> &#8211; Greg P. Russell; Gary Summers; Geoffrey Patterson<\/p>\n<p>Best Achievement in Editing:<br \/><span style=\"font-style: italic;\">Avatar <\/span>&#8211; Stephen E. Rivkin; John Refoua; James Cameron<br \/><span style=\"font-style: italic;\">District 9<\/span> &#8211; Julian Clarke<br \/><span style=\"font-style: italic;\">Inglourious Basterds<\/span> &#8211; Sally Menke<br \/><span style=\"font-style: italic;\">Precious<\/span> &#8211; Joe Klotz<br \/><span style=\"font-style: italic;\">The Hurt Locker<\/span> &#8211; Bob Murawski; Chris Innis<\/p>\n<p>Best Achievement in Sound Editing:<br \/><span style=\"font-style: italic;\">Avatar<\/span> &#8211; Christopher Boyes; Gwendolyn Yates Whittle<br \/><span style=\"font-style: italic;\">Inglourious Basterds<\/span> &#8211; Wylie Stateman<br \/><span style=\"font-style: italic;\">Star Trek<\/span>&#8211; Mark P. Stoeckinger; Alan Rankin<br \/><span style=\"font-style: italic;\">The Hurt Locker<\/span> &#8211; Paul N.J. Ottosson<br \/><span style=\"font-style: italic;\">Up<\/span> &#8211; Michael Silvers; Tom Myers<\/p>\n<p>Best Achievement in Visual Effects:<br \/><span style=\"font-style: italic;\">Avatar<\/span> &#8211; Joe Letteri; Stephen Rosenbaum; Richard Baneham; Andy Jones<br \/><span style=\"font-style: italic;\">District 9<\/span> &#8211; Dan Kaufman; Peter Muyzers; Robert Habros; Matt Aitken<br \/><span style=\"font-style: italic;\">Star Trek<\/span>  &#8211; Roger Guyett; Russell Earl; Paul Kavanagh; Burt Dalton<\/p>\n<p>Best Achievement in Makeup:<br \/><span style=\"font-style: italic;\">Il divo<\/span> &#8211; Aldo Signoretti; Vittorio Sodano<br \/><span style=\"font-style: italic;\">Star Trek<\/span> &#8211; Barney Burman; Mindy Hall; Joel Harlow<br \/><span style=\"font-style: italic;\">The Young Victoria<\/span> &#8211; John Henry Gordon; Jenny Shircore<\/p>\n<p>Best Achievement in Music Written for Motion Pictures, Original Song:<br \/><span style=\"font-style: italic;\">Crazy Heart<\/span> &#8211; Ryan Bingham; T-Bone Burnett<br \/>&#8211; For the song &#8220;The Weary Kind&#8221;<br \/><span style=\"font-style: italic;\">Faubourg 36<\/span> &#8211; Reinhardt Wagner (music); Frank Thomas (lyrics)<br \/>&#8211; For the song &#8220;Loin de Paname&#8221;<br \/><span style=\"font-style: italic;\">Nine<\/span> &#8211; Maury Yeston<br \/>&#8211; For the song &#8220;Take It All&#8221;<br \/><span style=\"font-style: italic;\">The Princess and the Frog<\/span> &#8211; Randy Newman<br \/>&#8211; For the song &#8220;Almost There&#8221;<br \/><span style=\"font-style: italic;\">The Princess and the Frog<\/span> &#8211; Randy Newman<br \/>&#8211; For the song &#8220;Down in New Orleans&#8221;<\/p>\n<p>Best Achievement in Music Written for Motion Pictures, Original Score:<br \/><span style=\"font-style: italic;\">Avatar<\/span> &#8211; James Horner<br \/><span style=\"font-style: italic;\">Fantastic Mr. Fox<\/span> &#8211; Alexandre Desplat<br \/><span style=\"font-style: italic;\">Sherlock Holmes<\/span> &#8211; Hans Zimmer<br \/><span style=\"font-style: italic;\">The Hurt Locker<\/span> &#8211; Marco Beltrami; Buck Sanders<br \/><span style=\"font-style: italic;\">Up<\/span> &#8211; Michael Giacchino<\/p>\n<p>Best Short Film, Animated:<br \/><span style=\"font-style: italic;\">French Roast <\/span>&#8211; Fabrice Joubert<br \/><span style=\"font-style: italic;\">Granny O&#8217;Grimm&#8217;s Sleeping Beauty<\/span> &#8211; Nicky Phelan; Darragh O&#8217;Connell<br \/><span style=\"font-style: italic;\">La dama y la muerte<\/span> &#8211; Javier Recio Gracia<br \/><span style=\"font-style: italic;\">Logorama<\/span> &#8211; Nicolas Schmerkin<br \/><span style=\"font-style: italic;\">Wallace and Gromit in &#8216;A Matter of Loaf and Death&#8217;<\/span> &#8211; Nick Park<\/p>\n<p>Best Short Film, Live Action:<br \/><span style=\"font-style: italic;\">Ist\u00e4llet f\u00f6r abrakadabra <\/span>&#8211; Patrik Eklund; Mathias Fj\u00e4llstr\u00f6m<br \/><span style=\"font-style: italic;\">Kavi<\/span> &#8211; Gregg Helvey<br \/><span style=\"font-style: italic;\">Miracle Fish<\/span> &#8211; Luke Doolan; Drew Bailey<br \/><span style=\"font-style: italic;\">The Door<\/span> &#8211; Juanita Wilson; James Flynn<br \/><span style=\"font-style: italic;\">The New Tenants<\/span> &#8211; Joachim Back; Tivi Magnusson<\/p>\n<p>Best Documentary, Short Subjects:<br \/><span style=\"font-style: italic;\">China&#8217;s Unnatural Disaster<\/span>: The Tears of Sichuan Province &#8211; Jon Alpert; Matthew O&#8217;Neill<br \/><span style=\"font-style: italic;\">Kr\u00f3lik po berlinsku<\/span> &#8211; Bartosz Konopka; Anna Wydra<br \/><span style=\"font-style: italic;\">Music by Prudence<\/span> &#8211; Roger Ross Williams; Elinor Burkett<br \/><span style=\"font-style: italic;\">The Last Campaign of Governor Booth Gardner<\/span> &#8211; Daniel Junge; Henry Ansbacher<br \/><span style=\"font-style: italic;\">The Last Truck: Closing of a GM Plant<\/span> &#8211; Steven Bognar; Julia Reichert<\/p>\n<p>Best Documentary, Features:<br \/><span style=\"font-style: italic;\">Burma VJ: Reporter i et lukket land<\/span> &#8211; Anders \u00d8stergaard; Lise Lense-M\u00f8ller<br \/><span style=\"font-style: italic;\">Food, Inc.<\/span> &#8211; Robert Kenner; Elise Pearlstein<br \/><span style=\"font-style: italic;\">The Cove<\/span> &#8211; &#8220;tbd&#8221;<br \/><span style=\"font-style: italic;\">The Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers<\/span> &#8211; Judith Ehrlich; Rick Goldsmith<br \/><span style=\"font-style: italic;\">Which Way Home <\/span>&#8211; Rebecca Cammisa<\/p>\n<p>Best Foreign Language Film of the Year:<br \/><span style=\"font-style: italic;\">Ajami<\/span> &#8211; Israel<br \/><span style=\"font-style: italic;\">Das weisse Band &#8211; Eine deutsche Kindergeschichte<\/span> &#8211; Germany<br \/><span style=\"font-style: italic;\">El secreto de sus ojos<\/span> &#8211; Argentina.<br \/><span style=\"font-style: italic;\">La teta asustada<\/span> &#8211; Peru<br \/><span style=\"font-style: italic;\">Un proph\u00e8te<\/span> &#8211; France<\/p>\n<p>Best Animated Feature Film of the Year:<br \/><span style=\"font-style: italic;\">Coraline<\/span> &#8211; Henry Selick<br \/><span style=\"font-style: italic;\">Fantastic Mr. Fox<\/span> &#8211; Wes Anderson<br \/><span style=\"font-style: italic;\">The Princess and the Frog<\/span> &#8211; John Musker; Ron Clements<br \/><span style=\"font-style: italic;\">The Secret of Kells<\/span> &#8211; Tomm Moore<br \/><span style=\"font-style: italic;\">Up<\/span> &#8211; Pete Docter<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I&#8217;m still in the midst of my annual February screening, so I have no solid opinions yet. However, who are your picks? The Oscars are on March 7. Last year, I was pre-empted because I was en route to the Philippines, but I&#8217;ve my normal Academy punditry this season. Best Motion Picture of the Year:A &hellip; <a href=\"https:\/\/www.theatreaficionado.com\/?p=759\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Oscar nominations<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[1656],"class_list":["post-759","post","type-post","status-publish","format-standard","hentry","tag-oscars"],"_links":{"self":[{"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=\/wp\/v2\/posts\/759","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=759"}],"version-history":[{"count":0,"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=\/wp\/v2\/posts\/759\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=759"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=759"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=759"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}