{"id":814,"date":"2010-05-04T11:05:00","date_gmt":"2010-05-04T15:05:00","guid":{"rendered":"http:\/\/clients.chrisvanpatten.com\/theatreaficionado.com\/2010\/05\/tony-awards-2010-and-theyre-off.html"},"modified":"2010-06-16T02:10:07","modified_gmt":"2010-06-16T06:10:07","slug":"tony-awards-2010-and-theyre-off","status":"publish","type":"post","link":"https:\/\/www.theatreaficionado.com\/?p=814","title":{"rendered":"Tony Awards 2010 &#8211; And they&#8217;re off&#8230;"},"content":{"rendered":"<p>There are many things about this year&#8217;s award nominations with which I am pleased. There is love for the long closed <span style=\"font-style: italic;\">Ragtime, <\/span><span style=\"font-style: italic;\">Finian&#8217;s Rainbow <\/span>and <span style=\"font-style: italic;\">The Royal Family. <\/span>The estimable Jan Maxwell is a double nominee for two superlative comic turns. Christiane Noll and Bobby Steggert, the heart and soul of <span style=\"font-style: italic;\">Ragtime <\/span>are in contention. It&#8217;s also nice to see that Jon Michael Hill&#8217;s supporting turn in <span style=\"font-style: italic;\">Superior Donuts, <\/span>the talk of Broadway this fall, was not overlooked. And of course, there is Lansbury&#8217;s 7th nomination as she sets her sights on a record sixth award (if she doesn&#8217;t get it, you can be assured that Julie Harris Harriet-Waltered her). But the one nomination that makes me truly smile is the one for the lovely, incandescent Kate Baldwin, who is next in the line of our great leading ladies. She&#8217;s also the first Tony nominee that I&#8217;ve known personally, so I am just thrilled for her &#8211; she is as lovely, gracious and exceptional as she seems. Team Kate!<\/p>\n<p>Here is the full list of this year&#8217;s Tony nominees:<\/p>\n<p><!--more-->The 2010 Tony Award Nominations<br \/>\nPresented by The Broadway League and the American Theatre Wing<\/p>\n<p>Best Play<\/p>\n<p><span style=\"font-style: italic;\">In the Next Room or the Vibrator Play<\/span><br \/>\nAuthor: Sarah Ruhl<br \/>\nProducers: Lincoln Center Theater, Andr\u00e9 Bishop, Bernard Gersten<\/p>\n<p><span style=\"font-style: italic;\">Next Fall<\/span><br \/>\nAuthor: Geoffrey Nauffts<br \/>\nProducers: Elton John and David Furnish, Barbara Manocherian, Richard Willis, Tom Smedes, Carole L. Haber\/Chase Mishkin, Ostar, Anthony Barrile, Michael Palitz, Bob Boyett, James Spry\/Catherine Schreiber, Probo Productions, Roy Furman, Naked Angels<\/p>\n<p><span style=\"font-style: italic;\">Red<\/span><br \/>\nAuthor: John Logan<br \/>\nProducers: Arielle Tepper Madover, Stephanie P. McClelland, Matthew Byam Shaw, Neal Street, Fox Theatricals, Ruth Hendel\/Barbara Whitman, Philip Hagemann\/Murray Rosenthal, The Donmar Warehouse<\/p>\n<p><span style=\"font-style: italic;\">Time Stands Still<\/span><br \/>\nAuthor: Donald Margulies<br \/>\nProducers: Manhattan Theatre Club, Lynne Meadow, Barry Grove, Nelle Nugent\/Wendy Federman<\/p>\n<p>Best Musical<\/p>\n<p><span style=\"font-style: italic;\">American Idiot<\/span><br \/>\nProducers: Tom Hulce &amp; Ira Pittelman, Ruth and Steven Hendel, Vivek J. Tiwary and Gary Kaplan, Aged in Wood and Burnt Umber, Scott Delman, Latitude Link, HOP Theatricals and Jeffrey Finn, Larry Welk, Bensinger Filerman and Moellenberg Taylor, Allan S. Gordon\/Elan V. McAllister, Berkeley Repertory Theatre, Awaken Entertainment, John Pinckard and John Domo<\/p>\n<p><span style=\"font-style: italic;\">Fela!<\/span><br \/>\nProducers: Shawn &#8220;Jay-Z&#8221; Carter and Will &amp; Jada Pinkett Smith, Ruth &amp; Stephen Hendel, Roy Gabay, Sony Pictures Entertainment, Edward Tyler Nahem, Slava Smolokowski, Chip Meyrelles\/Ken Greiner, Douglas G. Smith, Steve Semlitz\/Cathy Glaser, Daryl Roth\/True Love Productions, Susan Dietz\/Mort Swinsky, Knitting Factory Entertainment, Alicia Keys<\/p>\n<p><span style=\"font-style: italic;\">Memphis<\/span><br \/>\nProducers: Junkyard Dog Productions, Barbara and Buddy Freitag, Marleen and Kenny Alhadeff, Latitude Link, Jim and Susan Blair, Demos Bizar Entertainment, Land Line Productions, Apples and Oranges Productions, Dave Copley, Dancap Productions, Inc., Alex and Katya Lukianov, Tony Ponturo, 2 Guys Productions, Richard Winkler, Lauren Doll, Eric and Marsi Gardiner, Linda and Bill Potter, Broadway Across America, Jocko Productions, Patty Baker, Dan Frishwasser, Bob Bartner\/Scott and Kaylin Union, Loraine Boyle\/Chase Mishkin, Remmel T. Dickinson\/Memphis Orpheum Group, ShadowCatcher Entertainment\/Vijay and Sita Vashee<\/p>\n<p><span style=\"font-style: italic;\">Million Dollar Quartet<\/span><br \/>\nProducers: Relevant Theatricals, John Cossette Productions, American Pop Anthology, Broadway Across America, James L. Nederlander<\/p>\n<p>Best Book of a Musical<\/p>\n<p><span style=\"font-style: italic;\">Everyday Rapture<\/span> &#8211; Dick Scanlan and Sherie Rene Scott<br \/>\n<span style=\"font-style: italic;\">Fela!<\/span> &#8211; Jim Lewis &amp; Bill T. Jones<br \/>\n<span style=\"font-style: italic;\">Memphis<\/span> &#8211; Joe DiPietro<br \/>\n<span style=\"font-style: italic;\">Million Dollar Quartet<\/span> &#8211; Colin Escott and Floyd Mutrux<\/p>\n<p>Best Original Score (Music and\/or Lyrics) Written for the Theatre<\/p>\n<p><span style=\"font-style: italic;\">The Addams Family<\/span> &#8211; Music &amp; Lyrics: Andrew Lippa<br \/>\n<span style=\"font-style: italic;\">Enron<\/span> &#8211; Music: Adam Cork &amp; Lyrics: Lucy Prebble<br \/>\n<span style=\"font-style: italic;\">Fences<\/span> &#8211; Music: Branford Marsalis<br \/>\n<span style=\"font-style: italic;\">Memphis<\/span> &#8211; Music: &#8211; David Bryan &amp; Lyrics: Joe DiPietro, David Bryan<\/p>\n<p>Best Revival of a Play<\/p>\n<p><span style=\"font-style: italic;\">Fences<\/span><br \/>\nProducers: Carole Shorenstein Hays and Scott Rudin<\/p>\n<p><span style=\"font-style: italic;\">Lend Me a Tenor<\/span><br \/>\nProducers: The Araca Group, Stuart Thompson, Carl Moellenberg, Rodney Rigby, Olympus Theatricals, Broadway Across America, The Shubert Organization, Wendy Federman\/Jamie deRoy\/Richard Winkler, Lisa Cartwright, Spring Sirkin, Scott and Brian Zeilinger<\/p>\n<p><span style=\"font-style: italic;\">The Royal Family<\/span><br \/>\nProducers: Manhattan Theatre Club, Lynne Meadow, Barry Grove<\/p>\n<p><span style=\"font-style: italic;\">A View from the Bridge<\/span><br \/>\nProducers: Stuart Thompson, The Araca Group, Jeffrey Finn, Broadway Across America, Olympus Theatricals, Marisa Sechrest, The Weinstein Company, Jon B. Platt, Sonia Friedman Productions\/Robert G. Bartner, Mort Swinsky\/Joseph Deitch, Adam Zotovich\/Ruth Hendel\/Orin Wolf, Shelter Island Enterprises, The Shubert Organization<\/p>\n<p>Best Revival of a Musical<\/p>\n<p><span style=\"font-style: italic;\">Finian&#8217;s Rainbow<\/span><br \/>\nProducers: David Richenthal, Jack Viertel, Alan D. Marks, Michael Speyer, Bernard Abrams, David M. Milch, Stephen Moore, Debbie Bisno\/Myla Lerner, Jujamcyn Theaters, Melly Garcia, Jamie deRoy, Jon Bierman, Richard Driehaus, Kevin Spirtas, Jay Binder, StageVentures 2009 Limited Partnership<\/p>\n<p><span style=\"font-style: italic;\">La Cage aux Folles<\/span><br \/>\nProducers: Sonia Friedman Productions, David Babani, Barry and Fran Weissler and Edwin W. Schloss, Bob Bartner\/Norman Tulchin, Broadway Across America, Matthew Mitchell, Raise The Roof 4 Richard Winkler\/Bensinger Taylor\/Laudenslager Bergr\u00e8re, Arelene Scanlan\/John O&#8217;Boyle, Independent Presenters Network, Olympus Theatricals, Allen Spivak, Jerry Frankel\/Bat-Barry Productions, Nederlander Presentations, Inc\/Harvey Weinstein, Menier Chocolate Factory<\/p>\n<p><span style=\"font-style: italic;\">A Little Night Music<\/span><br \/>\nProducers: Tom Viertel, Steven Baruch, Marc Routh, Richard Frankel, The Menier Chocolate Factory, Roger Berlind, David Babani, Sonia Friedman Productions, Andrew Fell, Daryl Roth\/Jane Bergere, Harvey Weinstein\/Raise the Roof 3, Beverly Bartner\/Dancap Productions, Inc., Nica Burns\/Max Weitzenhoffer, Eric Falkenstein\/Anna Czekaj, Jerry Frankel\/Ronald Frankel, James D. Stern\/Douglas L. Meyer<\/p>\n<p><span style=\"font-style: italic;\">Ragtime<\/span><br \/>\nProducers: Kevin McCollum, Roy Furman, Scott Delman, Roger Berlind, Max Cooper, Tom Kirdahy\/Devin Elliott, Jeffrey A. Sine, Stephanie P. McClelland, Roy Miller, Lams Productions, Jana Robbins, Sharon Karmazin, Eric Falkenstein\/Morris Berchard, RialtoGals Productions, Independent Presenters Network, Held-Haffner Productions, HRH Foundation, Emanuel Azenberg, The John F. Kennedy Center for the Performing Arts, Michael Kaiser, Max Woodward<\/p>\n<p>Best Performance by a Leading Actor in a Play<\/p>\n<p>Jude Law, <span style=\"font-style: italic;\">Hamlet<\/span><br \/>\nAlfred Molina, <span style=\"font-style: italic;\">Red<\/span><br \/>\nLiev Schreiber, <span style=\"font-style: italic;\">A View from the Bridge<\/span><br \/>\nChristopher Walken, <span style=\"font-style: italic;\">A Behanding in Spokane<\/span><br \/>\nDenzel Washington, <span style=\"font-style: italic;\">Fences<\/span><\/p>\n<p>Best Performance by a Leading Actress in a Play<\/p>\n<p>Viola Davis, <span style=\"font-style: italic;\">Fences<\/span><br \/>\nValerie Harper, <span style=\"font-style: italic;\">Looped<\/span><br \/>\nLinda Lavin, <span style=\"font-style: italic;\">Collected Stories<\/span><br \/>\nLaura Linney, <span style=\"font-style: italic;\">Time Stands Still<\/span><br \/>\nJan Maxwell, <span style=\"font-style: italic;\">The Royal Family<\/span><\/p>\n<p>Best Performance by a Leading Actor in a Musical<\/p>\n<p>Kelsey Grammer, <span style=\"font-style: italic;\">La Cage aux Folles<\/span><br \/>\nSean Hayes, <span style=\"font-style: italic;\">Promises, Promises<\/span><br \/>\nDouglas Hodge, <span style=\"font-style: italic;\">La Cage aux Folles<\/span><br \/>\nChad Kimball, <span style=\"font-style: italic;\">Memphis<\/span><br \/>\nSahr Ngaujah, <span style=\"font-style: italic;\">Fela!<\/span><\/p>\n<p>Best Performance by a Leading Actress in a Musical<\/p>\n<p>Kate Baldwin, <span style=\"font-style: italic;\">Finian&#8217;s Rainbow<\/span><br \/>\nMontego Glover, <span style=\"font-style: italic;\">Memphis<\/span><br \/>\nChristiane Noll, <span style=\"font-style: italic;\">Ragtime<\/span><br \/>\nSherie Rene Scott, <span style=\"font-style: italic;\">Everyday Rapture<\/span><br \/>\nCatherine Zeta-Jones, <span style=\"font-style: italic;\">A Little Night Music<\/span><\/p>\n<p>Best Performance by a Featured Actor in a Play<\/p>\n<p>David Alan Grier, <span style=\"font-style: italic;\">Race<\/span><br \/>\nStephen McKinley Henderson, <span style=\"font-style: italic;\">Fences<\/span><br \/>\nJon Michael Hill, <span style=\"font-style: italic;\">Superior Donuts<\/span><br \/>\nStephen Kunken, <span style=\"font-style: italic;\">Enron<\/span><br \/>\nEddie Redmayne,<span style=\"font-style: italic;\"> Red<\/span><\/p>\n<p>Best Performance by a Featured Actress in a Play<\/p>\n<p>Maria Dizzia, <span style=\"font-style: italic;\">In the Next Room or the Vibrator Play<\/span><br \/>\nRosemary Harris, <span style=\"font-style: italic;\">The Royal Family<\/span><br \/>\nJessica Hecht, <span style=\"font-style: italic;\">A View from the Bridge<\/span><br \/>\nScarlett Johansson, <span style=\"font-style: italic;\">A View from the Bridge<\/span><br \/>\nJan Maxwell, <span style=\"font-style: italic;\">Lend Me a Tenor<\/span><\/p>\n<p>Best Performance by a Featured Actor in a Musical<\/p>\n<p>Kevin Chamberlin, <span style=\"font-style: italic;\">The Addams Family<\/span><br \/>\nRobin De Jes\u00fas, <span style=\"font-style: italic;\">La Cage aux Folles<\/span><br \/>\nChristopher Fitzgerald, <span style=\"font-style: italic;\">Finian&#8217;s Rainbow<\/span><br \/>\nLevi Kreis, <span style=\"font-style: italic;\">Million Dollar Quartet<\/span><br \/>\nBobby Steggert, <span style=\"font-style: italic;\">Ragtime<\/span><\/p>\n<p>Best Performance by a Featured Actress in a Musical<\/p>\n<p>Barbara Cook, <span style=\"font-style: italic;\">Sondheim on Sondheim<\/span><br \/>\nKatie Finneran, <span style=\"font-style: italic;\">Promises, Promises<\/span><br \/>\nAngela Lansbury, <span style=\"font-style: italic;\">A Little Night Music<\/span><br \/>\nKarine Plantadit, <span style=\"font-style: italic;\">Come Fly Away<\/span><br \/>\nLillias White, <span style=\"font-style: italic;\">Fela!<\/span><\/p>\n<p>Best Scenic Design of a Play<\/p>\n<p>John Lee Beatty, <span style=\"font-style: italic;\">The Royal Family<\/span><br \/>\nAlexander Dodge, <span style=\"font-style: italic;\">Present Laughter<\/span><br \/>\nSanto Loquasto, <span style=\"font-style: italic;\">Fences<\/span><br \/>\nChristopher Oram, <span style=\"font-style: italic;\">Red<\/span><\/p>\n<p>Best Scenic Design of a Musical<\/p>\n<p>Marina Draghici, <span style=\"font-style: italic;\">Fela!<\/span><br \/>\nChristine Jones, <span style=\"font-style: italic;\">American Idiot<\/span><br \/>\nDerek McLane, <span style=\"font-style: italic;\">Ragtime<\/span><br \/>\nTim Shortall, <span style=\"font-style: italic;\">La Cage aux Folles<\/span><\/p>\n<p>Best Costume Design of a Play<\/p>\n<p>Martin Pakledinaz, <span style=\"font-style: italic;\">Lend Me a Tenor<\/span><br \/>\nConstanza Romero, <span style=\"font-style: italic;\">Fences<\/span><br \/>\nDavid Zinn, <span style=\"font-style: italic;\">In the Next Room or the Vibrator Play<\/span><br \/>\nCatherine Zuber, <span style=\"font-style: italic;\">The Royal Family<\/span><\/p>\n<p>Best Costume Design of a Musical<\/p>\n<p>Marina Draghici, <span style=\"font-style: italic;\">Fela!<\/span><br \/>\nSanto Loquasto, <span style=\"font-style: italic;\">Ragtime<\/span><br \/>\nPaul Tazewell, <span style=\"font-style: italic;\">Memphis<\/span><br \/>\nMatthew Wright, <span style=\"font-style: italic;\">La Cage aux Folles<\/span><\/p>\n<p>Best Lighting Design of a Play<\/p>\n<p>Neil Austin, <span style=\"font-style: italic;\">Hamlet<\/span><br \/>\nNeil Austin, <span style=\"font-style: italic;\">Red<\/span><br \/>\nMark Henderson, <span style=\"font-style: italic;\">Enron<\/span><br \/>\nBrian MacDevitt, <span style=\"font-style: italic;\">Fences<\/span><\/p>\n<p>Best Lighting Design of a Musical<\/p>\n<p>Kevin Adams, <span style=\"font-style: italic;\">American Idiot<\/span><br \/>\nDonald Holder, <span style=\"font-style: italic;\">Ragtime<\/span><br \/>\nNick Richings, <span style=\"font-style: italic;\">La Cage aux Folles<\/span><br \/>\nRobert Wierzel, <span style=\"font-style: italic;\">Fela!<\/span><\/p>\n<p>Best Sound Design of a Play<\/p>\n<p>Acme Sound Partners, <span style=\"font-style: italic;\">Fences<\/span><br \/>\nAdam Cork, <span style=\"font-style: italic;\">Enron<\/span><br \/>\nAdam Cork, <span style=\"font-style: italic;\">Red<\/span><br \/>\nScott Lehrer, <span style=\"font-style: italic;\">A View from the Bridge<\/span><\/p>\n<p>Best Sound Design of a Musical<\/p>\n<p>Jonathan Deans, <span style=\"font-style: italic;\">La Cage aux Folles<\/span><br \/>\nRobert Kaplowitz, <span style=\"font-style: italic;\">Fela!<\/span><br \/>\nDan Moses Schreier and Gareth Owen, <span style=\"font-style: italic;\">A Little Night Music<\/span><br \/>\nDan Moses Schreier, <span style=\"font-style: italic;\">Sondheim on Sondheim<\/span><\/p>\n<p>Best Direction of a Play<\/p>\n<p>Michael Grandage, <span style=\"font-style: italic;\">Red<\/span><br \/>\nSheryl Kaller, <span style=\"font-style: italic;\">Next Fall<\/span><br \/>\nKenny Leon, <span style=\"font-style: italic;\">Fences<\/span><br \/>\nGregory Mosher, <span style=\"font-style: italic;\">A View from the Bridge<\/span><\/p>\n<p>Best Direction of a Musical<\/p>\n<p>Christopher Ashley, <span style=\"font-style: italic;\">Memphis<\/span><br \/>\nMarcia Milgrom Dodge, <span style=\"font-style: italic;\">Ragtime<\/span><br \/>\nTerry Johnson, <span style=\"font-style: italic;\">La Cage aux Folles<\/span><br \/>\nBill T. Jones, <span style=\"font-style: italic;\">Fela!<\/span><\/p>\n<p>Best Choreography<\/p>\n<p>Rob Ashford, <span style=\"font-style: italic;\">Promises, Promises<\/span><br \/>\nBill T. Jones, <span style=\"font-style: italic;\">Fela!<\/span><br \/>\nLynne Page, <span style=\"font-style: italic;\">La Cage aux Folles<\/span><br \/>\nTwyla Tharp, <span style=\"font-style: italic;\">Come Fly Away<\/span><\/p>\n<p>Best Orchestrations<\/p>\n<p>Jason Carr, <span style=\"font-style: italic;\">La Cage aux Folles<\/span><br \/>\nAaron Johnson, <span style=\"font-style: italic;\">Fela!<\/span><br \/>\nJonathan Tunick, <span style=\"font-style: italic;\">Promises, Promises<\/span><br \/>\nDaryl Waters &amp; David Bryan, <span style=\"font-style: italic;\">Memphis<\/span><\/p>\n<p>*     *     *<\/p>\n<p>Special Tony Award for Lifetime Achievement in the Theatre<br \/>\nAlan Ayckbourn<br \/>\nMarian Seldes<\/p>\n<p>Regional Theatre Tony Award<br \/>\nThe Eugene O\u2019Neill Theater Center, Waterford, Connecticut<\/p>\n<p>Isabelle Stevenson Award<br \/>\nDavid Hyde Pierce<\/p>\n<p>Tony Honor for Excellence in the Theatre<br \/>\nAlliance of Resident Theatres\/New York<br \/>\nB.H. Barry<br \/>\nTom Viola<\/p>\n","protected":false},"excerpt":{"rendered":"<p>There are many things about this year&#8217;s award nominations with which I am pleased. There is love for the long closed Ragtime, Finian&#8217;s Rainbow and The Royal Family. The estimable Jan Maxwell is a double nominee for two superlative comic turns. Christiane Noll and Bobby Steggert, the heart and soul of Ragtime are in contention. &hellip; <a href=\"https:\/\/www.theatreaficionado.com\/?p=814\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Tony Awards 2010 &#8211; And they&#8217;re off&#8230;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[1766],"class_list":["post-814","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-tony-awards"],"_links":{"self":[{"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=\/wp\/v2\/posts\/814","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=814"}],"version-history":[{"count":3,"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=\/wp\/v2\/posts\/814\/revisions"}],"predecessor-version":[{"id":881,"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=\/wp\/v2\/posts\/814\/revisions\/881"}],"wp:attachment":[{"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=814"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=814"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.theatreaficionado.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=814"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}