Where in the World is Lee Venora…? – Update

Months ago, I asked this question regarding this somewhat obscure but enormously talented lyric soprano who performed in musical theatre, opera and concert. Much to my delight and surprise I received an email from someone who knew Ms. Venora and had relayed my post to her. Most graciously, I received an answer to my question. Ms. Venora decided to retire in 1978 while her voice was still in its prime in order to spend time with and focus on her family. Throughout her career she had seen too many relationships suffer from the physical and emotional absences that are required when working as a performer. I am happy to report that Ms. Venora has been healthy, happy in her marriage and in her life and lives in pleasant retirement with her husband near their daughter and grandchildren.

If you ever have a chance, you should check out her shimmering soprano on the cast recordings of Kismet, Kean, or The King and I. She is the definitive Marsinah and the definitive Tuptim. There’s also her work on Leonard Bernstein’s recordings of Bach’s 2nd symphony with the NY Philharmonic and Bach’s Magnificat in D. You will not be sorry.

Where in the World is Lee Venora…?

As I listen to my ipod shuffle, Lee Venora‘s renditions of various songs from the Lincoln Center revivals of Kismet and The King and I keep popping up. I begin to wonder whatever happened to her. Her voice is a thrilling and grand operatic lyric soprano that just somehow manages to surpass that of Doretta Morrow (being a remarkable singer herself, no disrespect is intended), the singing actress that originated the roles of Marsinah and Tuptim. Hearing Venora take on the final ascending line of “My Lord and Master” is nothing short of breathtaking; or listening to how she takes the final solo reprise of “And This is My Beloved” and completely makes you forget anyone else ever in existence ever sang that song.

Her musical theatre record credits aren’t many: she recorded these two albums, the OBCR of Kean (on which she sings “Willow, Willow, Willow”, Wright and Forrest’s haunting musical setting of Othello’s “Willow Song”) and as Carrie on a studio cast album of Carousel, with Alfred Drake and Patrice Munsel in the leads. (The latter has never been released on CD). There’s also an easy-listening album of Show Boat, but I wonder if anyone’s ever heard that. My searches online are coming up with absolutely nothing, except that she has sung the role of Mimi in La Boheme and was also a soloist on various classical recordings, most notably Leonard Bernstein’s Mahler’s Symphonies.

I Dream of…Lalume?

Yes, ladies and gents, Jeannie is singing and dancing (and take note: showing her navel). Barbara Eden was one of the four stars to take part in the 1967 TV production of Kismet, that glorious ’50s operetta by Wright & Forrest using the themes of Alexandre Borodin. Jose Ferrer starred as Hajj, Anna Maria Alberghetti was Marsinah and the telecast featured an utterly atrocious performance from George Chakiris as the Caliph. (So hard to believe this man won an Oscar).

Anyway, as Lalume, Barbara vamps it up as a sex-pot love interest for Hajj. Bored with her disinterested husband, the villainous Wazir (Hans Conried), she gets to tear things up with that great showstopper, “Not Since Nineveh” in the role created on Broadway by Joan Diener and immortalized on film by Dolores Gray. Much to my surprise, she’s actually quite good (if you can forgive the general cheesiness in the orchestrations and staging). Eden later toured in productions of Woman of the Year and Gentlemen Prefer Blondes. (Both of which she apparently taped for TV. Anyone seen those?) Enjoy this little treasure trove.

Some cast recordings and DVD releases

While I couldn’t care less about the impending CDs of The Little Mermaid or Ring of Fire, DRG is putting out three on March 4 that make me considerably happy.

Happy Hunting1956 OBC. Initially released by RCA Victor, the album has been long out of print and goes for a costly used fee on amazon.com or ebay. It’s the weakest of the post-WWII musicals to feature Merman. However, due to Merman’s audience appeal, she managed to keep the show running for a year, and allowing it to make a profit. Working with the inexperienced song-writers on this less-than-stellar project was the reason she nixed Stephen Sondheim as composer for Gypsy, demanding an established professional (Jule Styne) take the honors. So I guess we can thank Harold Karr and Matt Dubey for indirectly leading to the 1959 musical of musicals being the perfection that it is. “Mutual Admiration Society,” an upbeat mother-daughter charm duet, is the only song that had a life outside of the show (I enjoy the recording made by the late Teresa Brewer).

Annie Get Your Gun1962 studio recording. This one features Doris Day and Robert Goulet in the leading roles. I assume it’s not faithful to the stage orchestrations and it more of a curio than a document of the stage show. This is the first time the CD will be available in the US. This was originally supposed to be released on the Sony Masterworks series in the late 90s/early 00s (which appears all but dead).

Say, Darling1958 OBC. This is more a play-with-music than an actual musical. Loosely inspired by his experiences adapting his novel Seven and a Half Cents into The Pajama Game, Richard Bissell wrote Say, Darling which documented a musical going through its creative and rehearsal periods. The cast features Robert Morse, Vivian Blaine and David Wayne. Jule Styne, Betty Comden and Adolph Green supplied the score.

It’s good to have DRG keeping up on the neglected scores, especially with the market being anything but stable for lost treasures and curiosities. And while I’m on it, whatever happened to the CD premiere of my beloved guilty pleasure Illya, Darling?

DVD front: The 1961 film Fanny is being released on DVD for the first time on June 17. The film was an adaptation of the 1955 Harold Rome musical (which in itself was based on the Marcel Pagnol film trilogy of the 1930s). Directed by Josh Logan (who also co-wrote and directed the Broadway production) and starring Leslie Caron, Maurice Chevalier and Charles Boyer, the film adaptation eliminated the singing and adapted the musical themes as underscoring. I saw the film before I knew that, but it doesn’t have any impact on how much I enjoyed this Oscar-nominated and underrated classic. (A Best Picture nominee… it was lost in the shuffle of The Hustler, Judgment at Nuremberg and West Side Story). And while I’m on the DVD front, there are going to be DVD premieres of Kismet (and a handful of other musicals in a boxed set and individual) and Light in the Piazza (both from Warners). Criterion is issuing a boxed set of Ernst Lubitsch musicals of the early 1930s (including The Love Parade, Monte Carlo, One Hour With You and The Smiling Lieutenant). There will be restored reissues of The Music Man, Gigi, An American in Paris and The Great Ziegfeld. (the latter two may actually just be an upgrade from those awful cardboard snapcase DVD cases to the plastic keepcase, that is most prominent; I refuse to buy any of the card board ones, part of my OCD). The Member of the Wedding is going to be issued as a part of a Stanley Kramer boxed set, which is irritating because I already own Guess Who’s Coming to Dinner and In the Heat of the Night and would prefer to purchase this one separately. There will also be a reissue of Ship of Fools in the set, and one hopes that they present it in its actual original aspect ratio.

I’m still waiting for DVDs of The Magnificent Ambersons, The Enchanted Cottage, Love With the Proper Stranger, The African Queen, A Tree Grows in Brooklyn and Wings. Also, it’s time that someone reissued Rebecca, Notorious, Spellbound (previous Criterions, long since deleted) and MGM should get Wuthering Heights w. Olivier and Merle Oberon back into circulation.