As it was at the overture and shall be at the exit music, bliss without end. Amen.

Theatre Aficionado at Large

Tag: Richard Kiley

At Large Elsewhere: Kiley vs. Lansbury

I posted a few days ago that Peter Filichia recently pitted the winners of Actor and Actress Tonys against each other after discussing whether or not women should be called actors or actresses. According to Filichia, there was a three to one landslide in favor of Lansbury. Here was my response, which is surprisingly posted in its entirety:

This really IS a tough call! Both were giving career-defining performances. Kiley was anchoring the Best Musical winning juggernaut. Lansbury was a revelation as the star-turn diva carrying the latest Jerry Herman vehicle. Wow, I wouldn’t want to have had to choose!

However, I think that the votes would have had to go to Lansbury, as she had the bigger challenge, the bigger star turn, and the most to prove. Kiley was already renowned for his musical theatre work, but Lansbury only had nine performances as the third-billed star in Anyone Can Whistle, which wouldn’t have been seen by enough of the populace to make a lasting impression. For Lansbury, it was a total transformation from respected character actress into leading lady. Both roles are hard: Kiley had to enchant an audience while making up for a libretto and lyrics that fall short of the mark, comedy and pathos. Kiley’s transformation was incredible, too. However, Lansbury, sliding down the banister with a bugle, became the toast of New York with the magazine covers and spreads, and the incredible press and audience buzz. It was the start of Lansbury’s Act Two as a musical theatre star/legend.

Looking back on it, La Mancha was the musical apex for Kiley, who would never have another successful musical performance after it, while Lansbury as Mame was the first of so many diverse star turns. (Even Prettybelle in its out-of-town flopping, was important enough to warrant a cast album, and Lansbury cannot herself be faulted in the least for that show’s failure).

From a voting perspective, if you were going to vote Man of La Mancha Best Musical, you might be more inclined to vote for Lansbury in an attempt to honor her hard work, discipline, unexpected total triumph and also not let Mame go home without a major Tony. Thank God it’s merely speculation and that there is such a thing as an ‘actress’ or we’d have so much more agita than necessary in choosing the apples and oranges of who is the best of the best.

Posted on April 24, 2009 at 1:16 am.

Kiley vs. Lansbury

Peter Filichia was taken to task by some of his readers over the claim that Keith Carradine was the only person to have won a Best Song Oscar and to have been nominated as Best Actor in a Musical. They reminded him that Barbra Streisand is a Tony-nominated, Oscar-winning (for the song “Evergreen”) star. However, as he correctly points out that he said “Best Actor in a Musical” but not Best Actress. One reader pulled the PC card on him saying that it’s not actress, but “female actor.” The article then goes onto speculate which winner of the respective Tony races would take home the award if they were pitted against each other. At the end of the article, he lists what he considers the toughest call: Angela Lansbury as Mame or Richard Kiley as the Man of La Mancha. Be sure to check it out, and drop him a line with your opinion!

I’ll withhold my vote until he posts the results, but I’m sure you can guess…

Posted on April 18, 2009 at 12:25 am.
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Walking Among My Yesterdays - 2011

1/19 - Avenue Q

1/25 - Knickerbocker Holiday (Collegiate Chorale)

1/30 - Chicago (Fan Day)

2/13 - La Cage Aux Folles

3/8 - Kate Baldwin & Sheldon Harnick: She Loves Him (Feinstein's)

3/12 - Kate Baldwin & Sheldon Harnick: She Loves Him (Feinstein's)

3/30 - How to Succeed in Business Without Really Trying

4/6 - High

4/20 - Born Yesterday

4/27  - The People in the Picture

5/4 - Sister Act

5/4 - The Normal Heart

5/11 - Lombardi

5/19 - Something Wonderful: An Evening of Broadway (Carnegie Hall)

6/3 - Marilyn Maye: It's Maye in May (Feinstein's)

7/14 - Kate Baldwin & Sheldon Harnick: She Loves Him CD release (Feinstein's)

7/27 - Around the World in 80 Days (HVSF)

8/2 - Hamlet (HVSF)

8/7 - Follies (first preview)

8/20 - Jerusalem

8/27 - Sammy Gets Mugged (Fringe)

9/4 - Master Class (closing)

9/11 - Mary Poppins

9/12 - Follies (opening night)

9/16 - The Life and Death of King John (NY Shakespeare Exchange)

10/10 - Give Our Regards to Broadway (Manhattan School of Music)

10/16 - Broadway Originals (Town Hall)

10/17 - Carole Demas: Summer Nights (Laurie Beechman Theatre)

10/26 - Hugh Jackman: Back on Broadway

10/27 - Follies

10/30 - Chinglish

11/12 - Follies

11/18 - Annie Get Your Gun (Walter Panas Players)

Walking Among My Yesterdays - 2010

  • 1/3 - Ragtime
  • 1/20 - Tyne Daly: The Second Time Around (Feinstein's)
  • 2/6 - Betty Buckley: For the Love of Broadway! (Feinstein's)
  • 2/7 - Fanny (Encores!)
  • 2/27 - Yank!
  • 3/2 - God of Carnage
  • 3/8 - Kate Baldwin at Birdland
  • 4/3 - Lend Me a Tenor
  • 4/11 - Anyone Can Whistle (Encores!)
  • 4/23 - Collected Stories
  • 5/19 - Mitzi Gaynor: The Razzle Dazzle Years (Feinstein's)
  • 5/26 - Next Fall
  • 6/20 - A Little Night Music
  • 6/25 - The Bomb-itty of Errors (HVSF)
  • 7/31 - A Little Night Music
  • 8/21 - I Do! I Do! (Westport Country Playhouse)
  • 8/27 - Our Town (Barrow Street)
  • 9/25 - Brief Encounter
  • 10/7 - The Scottsboro Boys (first preview)
  • 11/6 - Lucky to Be Me: The Music of Leonard Bernstein (City Opera)
  • 11/19 - NY Pops' Stephen Sondheim Birthday Bash (Carnegie Hall)
  • 12/12 - The Scottsboro Boys (closing)

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