Something you want to enjoy 24/7. Once again, here are Donna McKechnie, Baayork Lee and Margo Sappington, plus the original ensemble of Promises Promises leading the first act showstopper “Turkey Lurkey Time.” I’m kinda hoping that the original Michael Bennett choreography will be recreated in the spring revival, as I can’t see anyone topping what the auteur did with this number. Enjoy!
As it was at the overture and shall be at the exit music, bliss without end. Amen.
A place where I can rant and rave about theatre,
theatre history, plus books, film and anything
else that strikes me as entertaining, interesting
or important. Feel free to chime in. If you'd like
me to have a look at your show or have any
interest in advertising, feel free to contact me. Membership
director of the Independent Theater Bloggers Association.
theatre history, plus books, film and anything
else that strikes me as entertaining, interesting
or important. Feel free to chime in. If you'd like
me to have a look at your show or have any
interest in advertising, feel free to contact me. Membership
director of the Independent Theater Bloggers Association.
Photo by Kari Geltemeyer
Member
Miscellaneous Links
Kevin on Twitter
- My date for tonight's screening of Midnight in Paris. http://t.co/giQLqMDF
(about 24 minutes ago) - @hollisst I love how you get it out of your system. #shereapswhatshesows
(about 5 hours ago) - A random query: was the film version of "Proof" any good? Loved it on Broadway but never got around to seeing the movie.
(about 9 hours ago) - RT @TheatreSmart: "To Kill A Mockingbird" 50th Anniversary: Mary Badham On Being Scout (and more): http://t.co/eIY3VBvX
(about 9 hours ago) - Advice for today: "Never apologize for having a big voice." - Karen Longwell, accompanist/singer/coach
(about 10 hours ago)
It will be great to watch Brighton Beach Memoirs, i have bought tickets from
http://ticketfront.com/event/Brighton_Beach_Memoirs-tickets looking forward to it.
[...] changes and turned a troubled first act pastiche into a showstopper to end all showstoppers (“Turkey Lurkey Time“). Jonathan Tunick, our foremost orchestrator, made his first mark on Broadway adopting a [...]